
Anna Lizaran
1944 - 2013High Heels
Pedro Almodóvar
Victoria Abril, Marisa Paredes
After being estranged for 15 years, flamboyant actress Becky del Paramo re-enters her daughter Rebeca's life when she comes to perform a concert. Rebeca, she finds, is now married to one of Becky's ex-lovers, Manuel. The mother and daughter begin making up for lost time, when suddenly, a murder occurs...
High Heels
Actrius
Ventura Pons
Núria Espert, Anna Lizaran
In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.
Actresses
La plaça del diamant
Francesc Betriu
Sílvia Munt, Lluís Homar
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
La plaça del diamant
Forasters
Ventura Pons
Anna Lizaran, Joan Pera
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
Strangers
El perquè de tot plegat
Ventura Pons
Lluís Homar, Pepa López
Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.
What's It All About
El vicari d'Olot
Ventura Pons
Enric Majó, Enric Cusí
In a small Catalan village take advantage of the visit of an ecclesiastical authority of Rome, during vacations, to organize a conference on the topic of religion and sex. This causes the people to divide into two camps, those who favor and those against the "Congress", until finally after a series of negotiations between both sides, we arrive at consensus. A large mosaic of characters carry the story to end happily, through critical situations with the conservative church.
The Victor of Olot