Vincent Lannoo
2021Si j'avais 10... Pauvres
Vincent Lannoo
Lionel Bourguet, Brigitte Salkin
Vincent Lannoo, the film-maker, pitches a new TV show to a producer. The show will portray the life of 10 poor people and Vincent has already filmed some sequences for the show. One of the sequences, however, may not go over too well.
If I Had 10 Poor People
Ordinary Man
Vincent Lannoo
Carlo Ferrante, Christine Grulois
George is a furniture seller. He's a reliable husband and a good father, a loyal friend and a fine handyman. One day on the motorway, he cracks up and kills a man in an outburst of rage. He feels responsible for the man's wife, but terrified by his own violence, he doesn't know how to handle her. This is the starting point for a seemingly never-ending string of problems.
Ordinary Man
Vampires
Vincent Lannoo
Carlo Ferrante, Vera Van Dooren
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Vampires
Little Glory
Vincent Lannoo
Cameron Bright, Isabella Blake-Thomas
After his parents’ death, Shawn, 19 and mildly delinquent, tries to look after his little sister to cash in on his dad’s life insurance. But you can’t buy love -- and you sure can’t ignore it. Shawn will find out he’s got more to gain by giving than taking.
Little Glory
J'adore le cinéma
Vincent Lannoo
George is to make a film with the cooperation of the students of a Brussels high school. The subject suggested by Saïda and Julie is tricky: they want George to film their own love story. George accepts and tries to impose the theme of lesbian love.
J'adore le cinéma