Michel Drach
1930 - 1990After studying painting at the Academy of Fine Arts, it is oriented towards the cinema by his cousin Jean-Pierre Melville, where he became the assistant. It begins with short films in a very personal invoice, which Soliloques the poor (1951) and Auditorium (1957) and then passes feature film is not buried on Sunday (1959) study on the existential loneliness of a "Black" in Paris, which earned him the Louis Delluc price announcement by the style of filming and production method, the New Wave.
The delicacy and warmth of its beings approach are confirmed in the melancholy or love Amelie time (1962). After the interlude of the Good Occase (1965) and Diamond Safari (1966), it is the auteur cinema (it is writer of all his films) with Elise, or Real Life (1970, according to Claire book Etcherelli), where talent thrives Marie-José Nat, his wife, in the character of a bruised love with a French Algerian (performer Mohamed Chouikh) at the time of the war in Algeria.
Its commitment to the left appears again in Violins at the Ball (1974), involved mention of his Jewish childhood during the Occupation, and The Pull-Over Red (1979), a chronicle of an alleged miscarriage of justice. In Speak to Me of Love (1975), The Simple Past (1977) and Guy de Maupassant (1982), he confirms its attractiveness to psychological intrigue.
In 1986, Flee Lola, it addresses the issue of cancer, and the relations between grandfather and toddler son in it is awesome Grandpa (1987).
He is married to Marie-José Nat with whom he had three children, David, Julian and Aurelian. He is also the cousin of Nicole Stephane.
Le pull-over rouge
Michel Drach
Serge Avedikian, Michelle Marquais
A film version of author Gilles Perrault's best-selling book about the 1976 trial and execution of Christian Ranucci, the youth who was convicted with extremely inconclusive evidence of murdering an eight-year-old girl in Southern France. The publicity the book and film helped abolish capital punishment in France in 1981.
The Red Sweater
Élise ou la vraie vie
Michel Drach
Mohamed Chouikh, Bernadette Lafont
Elise (Marie-Josee Nat) is a young provincial woman working in a factory in Paris. Her revolutionary brother secured the position for her, and she falls in love with an Algerian native who works with her. She becomes painfully aware of the prejudice he experiences from the police and his superiors. The recent conflict between France and Algeria only compounds the problems of Algerians in France. Her love and concern for the man causes her to search for him after he disappears one day. Elise considers moving to Algeria to find the man she loves in this bitter social drama.
Elise, or Real Life
Le passé simple
Michel Drach
Marie-José Nat, Victor Lanoux
When François' wife Cecile was leaving him because of his affairs with other women, she had an auto accident. In this drama, he makes uses of her amnesia to try to win her back and misleads her at every turn in her quest to recover her memories.
Le passé simple
Amélie ou le temps d'aimer
Michel Drach
Marie-José Nat, Jean Sorel
The vagaries of love are often tragic, as Amelie ou le Temps d'Aimer seems to say. Directed by Michel Drach in his second try at a feature-length film, the well-wrought romance revolves around the love that develops between Amelie (Marie-Jose Nat) and her cousin Alain (Jean Sorel). Amelie is an orphan who lives with Alain and his family on an island off the coast of France. Alain has dreams of working as a seaman, while Amelie works for Alain's father. The budding romance between the two takes a nose-dive when Alain falls for a glamorous actress who shows up on the island one day. Not mature enough yet to make a wise choice, Alain's betrayal of Amelie turns out to be a grievous mistake.
Amelie or The Time to Love
Les violons du bal
Michel Drach
Jean-Louis Trintignant, Gabrielle Doulcet
In this WW II drama based on an autobiographical story by director Michel Drach, a Jewish boy and his family living in Nazi occupied France, attempt to escape the cruel invaders. Later the boy grows up to become a filmmaker obsessed with chronicling his childhood.
Violins at the Ball
On n'enterre pas le dimanche
Michel Drach
Christina Bendz, Philippe Mory
The hero is a black man from Martinique who feels nostalgic for his island and is on his own in France. He falls in love with an au pair girl but has a love affair with a married woman, Mrs Courtalès. He kills the husband in self-defense. But eight months later, he is arrested by the Police. Philippe's fate depends on a child's birth. It will not be what he's expecting.
One Does Not Bury Sunday
Parlez-moi d'amour
Michel Drach
Louis Julien, Nathalie Roussel
Emerging from a lengthy dinner where his mother was exhibited without restraint for the favor of a man, Daniel returns alone, sickened. Without imagining the trap closes on him, he later agrees to have a drink with a neighbor he just help carry packages. She "vamp" and keeps her house without a very fierce resistance opposes too happy to escape his solitude. Taking advantage of the absence of his mother, Daniel finally leaves the high school and moved to the neighbor who, having close to her more often, gets him a place in the clinic where she is employed.
Parlez-moi d'amour
Safari Diamants
Michel Drach
Marie-José Nat, Jean-Louis Trintignant
Raphaël, a former paratrooper, is unable to adapt to the constraints of social life. One day, he becomes the unwilling accomplice of jewel thieves and falls in love with Electre, the mistress of Alaphène, their boss. Electre gives herself to Raphäel and incites him to run away with her. The couple tries to reach Monte-Carlo, where the diamonds are hidden, but they are chased by Federico, one of the gangsters who craves the loot as well...
Diamond Safari
Sauve-toi, Lola
Michel Drach
Carole Laure, Jeanne Moreau
Lola, a young lawyer, is raising her little boy Bolivar, and sustains his family. Diagnosed with cancer, she decides to fight against this disease as it has always done in life with strength, determination, and above all with humor. In his fight, it is supported by Ferdinand, his fiery lover and naive who is a journalist. In the hospital, treated by Prof. Tobman, deeply human doctor, she met a group of women, all living with the same bad but each following a different social environment. This group will become his new "family".
Sauve-toi, Lola
