Mary Beth Hurt
1948 (77 лет)
The Five Forty-Eight
James Ivory
Mary Beth Hurt, Laurence Luckinbill
The Five Forty-Eight, drawn from a Cheever story about the fictional New York suburb of Shady Hill, concerns an advertising man, John Blake (Laurence Luckinbill), who is emotionally estranged from his wife and those around him. His disturbed secretary, Miss Dent (Mary Beth Hurt), whom he has seduced and then fired and discarded, pursues him harrowingly, and in a final scene in which she holds him at gunpoint in a field beyond the Shady Hill railroad station, she forces him to confront the squalor of his life.
The Five Forty-Eight
Baby Girl Scott
John Korty
Джон Литгоу, Mary Beth Hurt
The story of the Scotts, a young couple whose first child is born dangerously early, weighing less than a pound and a half. As they endure the anguish and struggle to help keep their baby alive, they discover what real love, courage and triumph are in the face of tragedy.
Baby Girl Scott
Interiors
Woody Allen
Geraldine Page, Kristin Griffith
When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…
Interiors
Red Dragon
Brett Ratner
Anthony Hopkins, Edward Norton
Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal 'The Cannibal' Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.
Red Dragon
From the Journals of Jean Seberg
Mark Rappaport
Jean Seberg, Mary Beth Hurt
Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format. He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered. Notably, details of French New Wave cinema, Russian Expressionist (silent) films, and the careers of Jane Fonda, Vanessa Redgrave, and Clint Eastwood are also intensively examined. Much of the film is based on conjecture, but Rappaport encourages viewers to re-examine their ideas about women in film with this thought-provoking picture.
From the Journals of Jean Seberg
Chilly Scenes of Winter
Joan Micklin Silver
John Heard, Mary Beth Hurt
Charles is a bored civil servant struggling through a harsh Utah winter. He spends most of his time reflecting on his romance with Laura, a coworker who left him to return to her husband, an A-Frame salesman.
Chilly Scenes of Winter
The Family Man
Brett Ratner
Ни́колас Кейдж, Téa Leoni
Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.
The Family Man
Light Sleeper
Paul Schrader
Willem Dafoe, Susan Sarandon
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use him for deliveries worry about his mental well-being and his effectiveness at his job. Meanwhile someone is killing women in apparently drug-related incidents.
Light Sleeper
Alkali, Iowa
Mark Christopher
J.D. Cerna, Mary Beth Hurt
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.
Alkali, Iowa
