Rudolf Thome
1939 (84 года)Rudolf Thome - Überall Blumen
Serpil Turhan
Rudolf Thome, Joya Thome
Rudolf Thome’s idiosyncratic oeuvre was created with a continuity rare in German cinema – he has directed 28 feature-length films over more than four decades since 1968. The writing of the script for film no. 29 and the parallel efforts to secure financing form the thread that runs through this cinematic portrait, which consists wholly of conversations and observations around Thome’s home, a converted farm in Brandenburg. The filmmaker is nothing if not forthcoming, and the viewer has the opportunity to experience him in various other roles: as a gardener, a father, a cyclist, and a performer of his own persona.
Rudolf Thome - Überall Blumen
Made in Germany and USA
Rudolf Thome
Karin Thome, Eberhard Klasse
A couple (Karin Thome and Eberhard Klasse), whose relationship can't hold up to the pressure of their financial and career problems, only have their child left as the remaining connecting link. But even their child becomes a pawn in their egoistic power games and possessiveness. The crisis reaches a peak first then, when the husband finds out about an affair that the wife is having and sets out to claim the same rights for himself. This takes him to New York, where he settles. The wife gets her hands on all the cash reserves and follows him there. In spite of the new location, they still remain a couple with a disturbed and insensitive miscommunication, that instinctively cling even more to each other in the new and alienating environment.
Made in Germany and USA
Stella
Rudolf Thome
Les Olvedi, Lilith Ungerer
When Peter proposes to his wife Ellen one evening that they have a three-way relationship with his girlfriend Stella and quotes from Goethe's tragedy "Stella" to back it up, she initially reproaches him for not wanting to compare himself to the great poet. But then she asks for Stella's telephone number.
Stella
Zeigen was man liebt
Frank Göhre, Borwin Richter
Iris Berben, Dominik Graf
In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.
Show What You Love
Liebe auf den ersten Blick
Rudolf Thome
Geno Lechner, Julian Benedikt
After the German reunification: A widowed, unemployed archaeologist with two children and a single futurologist with a little daughter in Berlin fall in love at first sight and persistently and unwaveringly develop a life together. An equally unspectacular and rigorous examination of love as a crucial basis for private and political action.
Love at First Sight
Berlin Chamissoplatz
Rudolf Thome
Hanns Zischler, Sabine Bach
An architect is assigned to modernize a squatted house in the Kreuzberg district of Berlin. But then he meets a young student who is member of a grassroots initiative trying to preserve the quarter. He falls in love with her, although this puts him into conflict with his job. Following his heart, the architect soon changes sides and supports the inhabitants in their struggle against the real estate speculators.
Berlin Chamissoplatz
Beschreibung einer Insel
Rudolf Thome, Cynthia Beatt
Gabrielle Baur, Cynthia Beatt
This film with a marked ethnographic nature, which was filmed without a pre-established plan and with a script that crosses the lines of documentary and fiction, tells the story of a group of five Germans who arrive on a remote island in the South Pacific called Parapara and belonging to Vanuatu. Their aim is to prepare a publication on the lives of the inhabitants of this remote island. The tasks were personally assigned: one would study the language, another would study the fauna; another the traditions, institutions and family systems; another the plants and another the songs and stories. However, the blind trust in the western scientific objective clashes head-on with the values and customs of the natives. Therefore, from the very beginning, the head of the tribe does not cease to ask and express his surprise regarding some foreigners “who have not come to rob his land”.
Description of an Island
In den Tag hinein
Maria Speth
Sabine Timoteo, Hiroki Mano
Lynn is a cheerful 22-year-old who works at a cafe and lives with her brother. Though she has no real direction in life, she is happy. Conversely, her boyfriend, David, is a career-driven swimmer who seems to care only about his training. Then Lynn meets Japanese exchange student Koji, and, though they speak different languages and spend most of their time together in silence, the two soon become closer than she and David had ever been.
The Days Between
Fremde Stadt
Rudolf Thome
Roger Fritz, Karin Thome
A former bank clerk conceives a one-man robbery at the bank he works. He had before established an alibi for himself pretending and declaring him legally dead. Further complications ensue when he rejoins his estranged wife.
Strange City