Wolfgang Michael
1955 (70 лет)
Youth
Paolo Sorrentino
Michael Caine, Harvey Keitel
Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?
Youth
Abendland
Fred Kelemen
Adolfo Assor, Thomas Baumann
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.
Nightfall
Ich bin den Sommer über in Berlin geblieben
Angela Schanelec
Isabel Karajan, Tobias Lenel
Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.
I Stayed in Berlin All Summer
Marseille
Angela Schanelec
Maren Eggert, Alexis Loret
Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille
Das jüngste Gericht
Urs Egger
Tobias Moretti, Silke Bodenbender
Прошлое никогда не покидает настоящего. Оно дремлет в его темных недрах и ждет своего часа. Детектив Томас понял это, когда расследование серийных убийц привело его к средневековым тайнам. Способ, каким погибали жертвы маньяка, напоминал чудовищные казни инквизиции. Полицейский и не предполагал, с кем он начинает не объявленную войну. Он искал преступника. Но из мрака минувшего ему навстречу вышла могущественная неведомая организация…
Das jüngste Gericht
Blood Red Sky
Peter Thorwarth
Peri Baumeister, Carl Anton Koch
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
Blood Red Sky
Edelweißpiraten
Niko von Glasow
Bela B, Ivan Stebunov
Cologne towards the end of the Second World War. The city is in ruins, everyone is afraid, many are dead. It is a time of great inhumanity. Cologne’s young Edelweiss Pirates refuse to submit to the pressure of the Nazi regime. They fight with the Hitler Youth and scrawl anti-war propaganda on walls. Karl is an Edelweiss Pirate; his younger brother, Peter, is in the Hitler Youth movement. The two young men have been alone ever since their mother’s death in a bombing raid; their father is serving at the front, and their older brother, Otto, has been killed in action. Otto’s financée, Cilly, is doing her best to survive the war with her children. Carl is trying to help her.
The Edelweiss Pirates
Spätwerk
Andreas Kleinert
Henry Hübchen, Patrycia Ziolkowska
Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.
Spätwerk
Das Glück meiner Schwester
Angela Schanelec
Anna Bolk, Wolfgang Michael
A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.
My Sister’s Good Fortune
