William H. Hays

Complicated Women

Hugh Munro Neely

Jane Fonda, Frances Dee

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Valerie Spencer, John Landis

A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.

This Film Is Not Yet Rated

Kirby Dick

Kimberly Peirce, Jon Lewis

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

Okay for Sound

John Barrymore, James Cagney

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

Why Be Good?: Sexuality & Censorship in Early Cinema

Elaina Archer

Diane Lane, Maria Riva

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Attack of the Hollywood Clichés!

Sean Doherty

Rob Lowe, John August

Movie stars and members of the film industry make fun of several narrative and visual clichés that are as shocking and aesthetic as they are often truly ridiculous.

Hollywood Uncensored

James Forsher

Douglas Fairbanks Jr., Peter Fonda

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

The Circus: Premiere

Vilma Banky, Rod La Rocque

Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.

Introductory Speech by Will H. Hays

Will H. Hays

The Honorable Will H. Hays, President of the Motion Picture Producers & Distributors of America, speaks directly into the camera about the important new technology to enhance the motion picture going experience, namely Vitaphone which allows the synchronization of the picture on screen with sound. Its development is important if only because of the importance of the motion picture as the chief amusement to millions in the American public. It allows the inclusion of music directly into the motion picture, music which already plays an important role in the motion picture in the pre-Vitaphone era. However, it allows symphonic music to be incorporated, which many of the small hamlets across the country could not afford to provide in their own movie houses. Vitaphone was developed by the Western Electric and Bell Telephone Companies, and is also greatly attributed to the work of Warner Bros. Pictures.