
Selma Egrei
1949 (76 лет)The Way He Looks
Daniel Ribeiro
Ghilherme Lobo, Fábio Audi
Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.
The Way He Looks
Trago Comigo
Tata Amaral
Carlos Alberto Riccelli, Felipe Rocha
Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
Trago Comigo
O Desejo
Walter Hugo Khouri
Fernando Amaral, Selma Egrei
Widowed one year ago, Eleonora, a 33-year-old woman from Sao Paulo's upper bourgeoisie, lives alone, unsuited to her husband's absence, an intellectual frustrated and torn between the need for transcendence and a strong sexual compulsion. The life of the couple, although not happy, was intense. However, the presence of her a long-time friend Ana Maria, just arrived from Paris, a middle-class university student, is staying at his house. The two go to the site of Eleonora and she remembers her life with Marcelo and his death by drowning.
The Desire
The Ballroom
Laís Bodanzky
Leonardo Villar, Tônia Carrero
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
The Ballroom
Pitanga
Camila Pitanga, Beto Brant
Antônio Pitanga, Camila Pitanga
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Pitanga
As Filhas do Fogo
Walter Hugo Khouri
Paola Morra, Karin Rodrigues
A young woman living in São Paulo goes to Gramado to visit a friend of hers. Together, they meet an odd woman who engages in strange experiences in parapsychology. From then on, bizarre events are bound to happen.
Daughters of Fire
Hebe: A Estrela do Brasil
Maurício Farias
Andréa Beltrão, Marco Ricca
Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.
Hebe
Astral City: A Spiritual Journey
Wagner de Assis
Werner Schünemann, Renato Prieto
The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting
Astral City: A Spiritual Journey
Querida Mamãe
Jeremias Moreira Filho
Letícia Sabatella, Selma Egrei
Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.
Querida Mamãe
Ato de Violência
Eduardo Escorel
Nuno Leal Maia, Selma Egrei
Antônio Nunes is sentenced to 30 years in jail, after having killed a woman, and becomes known as ripper of women. Infatuated Tânia begins to visit him frequently and hires a lawyer to try to take him out.
Act of Violence
O Jeca Macumbeiro
Amacio Mazzaropi
Amacio Mazzaropi, Gilda Valença
Pirola is a poor guy who lives with his son Ze in a hovel on his boss's farm. One day, Pirola is surprised by the visit of an old friend who, feeling that the hour of his death approaches, decides to present him with a bag full of money.
O Jeca Macumbeiro