Mircea Diaconu
1949 (76 лет)Diaconu worked with Lucian Pintilie both in film (the 1981 De ce trag clopotele, Mitică?) and in theater: Gogol's The Government Inspector at Bulandra, and Shakespeare's As You Like It at the Nottara Theater. Liviu Ciulei hired him at Bulandra in 1972, and he remained there for a decade, before moving on to Nottara. At Bulandra, he appeared in Twelfth Night and The Tempest, both under Ciulei's direction; and in Marin Sorescu's Răceala, directed by Dan Micu. At Nottara, he appeared in Alexander Ostrovsky's The Forest; Ultimul bal, after Liviu Rebreanu's Forest of the Hanged; and Mihai Ispirescu's Într-o dimineață. He became the director of Nottara Theater in 2004, working as such until his resignation in 2011.
A Lost Letter
Ștefan Bănică, Aurel Cioranu
The plot take place in 1883 in a small provincial town in Romania, where the corrupt establishment decide everything, including - of course - who will be the "elected" representative to the national Senate. A love letter from the bachelor mayor to the wife of the local party chief, gets lost and found by a drunk party supporter. The letter finds its way to the opposition party, which decide to use the letter by blackmailing the powerful local "camarilla", and to get his own man to represent the county. What follows is not easy to guess...
A Lost Letter
The Actor and the Savages
Manole Marcus
Toma Caragiu, Mircea Albulescu
Toma Caragiu plays Costica Caratase character inspired by the personality of the great actor Constantin Tanase. The action takes place in the interwar period and focuses on the conflict between actor and Iron Guard movement ("savages") offended by a satirizes artistic performances. Film question the artist's freedom of expression and the danger posed by his involvement in social issues existing in a dictatorship world.
The Actor and the Savages
Philanthropy
Nae Caranfil
Mircea Diaconu, Gheorghe Dinică
In 21st century Bucharest, to go out in the city on Saturday evening on the arm of a beautiful woman is a risky financial investment. Ovidiu, an unassuming high school teacher, never could afford it. Looking for a source of income more substantial than a teacher's salary, Ovidiu plunges into a fabulous world – the beggar mob.
Philanthropy
Bucharest Identity Card
Virgil Calotescu
Mircea Diaconu, Catrinel Dumitrescu
A provincial young girl, a farming engineer, does not want to return to the countryside on graduating, but stay in the capital. But she needs a Bucharest identity card to do this. Her solution is to "buy" a husband...
Bucharest Identity Card
De ce trag clopotele, Mitică?
Lucian Pintilie
Victor Rebengiuc, Mariana Mihuț
Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.
Why Are the Bells Ringing, Mitica?
O poveste de dragoste, Lindenfeld
Radu Gabrea
Victor Rebengiuc, Victoria Cociaș
Klaus Bernath, a wealthy German citizen, decides, after many years, to visit his birthplace, of the Banat Swabian village Lindenfeld, in Romania. Since the village has been deserted for many decades, his son and his biographer decide to reconstruct the whole space from scratch and present it as a populated place.
A Love Story, Lindenfeld
Flames Over Treasures
Nicolae Mărgineanu
Mircea Albulescu, Claudiu Bleonţ
Deep in the Transylvanian Alps, the Archangels gold mine is the stage for an epic battle of characters. The arrogant owner is struggling with perceptions of ghosts in the mind of the miners. A maverick free-lance miner is helping him to find the source of terrifying noises that frightened his workers.
Flames Over Treasures
The Stone Wedding
Mircea Veroiu, Dan Pița
Leopoldina Bălănuță, Eliza Petrăchescu
Two bleak stories about absent love. In the first, a widow is working hard in a desperate attempt to save her dying daughter. The second tells the story of two wandering singers who kidnap a bride from her wedding.
The Stone Wedding
Dănilă Prepeleac
Tudor Tătaru
Mircea Diaconu, Diana Lupescu
It is the story of Danila Prepeleac, a silly, clumsy man that does things backwards. Once he took off for the market wanting to sell a pair of nice healthy bulls. On the way to the market he exchanged the bulls for an empty wallet. But this is only the start of Danila's adventures.
Dănilă Prepeleac
Secvenţe
Alexandru Tatos
Geo Barton, Ion Vâlcu
Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.
Sequences
The Prophet, the Gold, and the Transylvanians
Mircea Veroiu, Dan Pița
Ilarion Ciobanu, Ovidiu Iuliu Moldovan
Two peasants from Transylvania go to America in order to meet their brother who had left Romania ten years earlier. They meet a prophet in the American state of Utah and eventually help the cause of justice in the villages where the prophet proves to be a dictator and exploiter of the coal miners over there.
The Prophet, the Gold, and the Transylvanians
