Hélène Loiselle
1928 - 2013
Post Mortem
Louis Bélanger
Gabriel Arcand, Sylvie Moreau
In this tough French-Canadian drama, two outsiders -- one who works with the law, another who lives outside it -- come together with unfortunate consequences. Linda (Sylvie Moreau) is a devoted single mother who will do anything to support her five-year-old daughter, Charlotte (Sarah Lecompte-Bergeron). Unfortunately, a lot of what Linda does best isn't exactly legal, such as luring well-to-do men into the park and then mugging them. One night, Linda is trying to coax a visitor from America into the shadows when the situation starts to go wrong. Meanwhile, Ghislain (Gabriel Arcand) is a shy, lonely fellow who works at the morgue and likes to listen to the blues late at night. In time, we discover that Linda and Ghislain met at one time, leading to an ugly encounter for both of them.
Post Mortem
Françoise Durocher, Waitress
André Brassard
Monique Mercure, Sophie Clément
Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.
Françoise Durocher, Waitress
Dirty Money
Denys Arcand
Marcel Sabourin, René Caron
This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems.
Dirty Money
Dans les villes
Catherine Martin
Ève Duranceau, Hélène Florent
Four strangers are wandering through town. Fanny, a young woman who takes care of trees, will cross paths with three people along her way and offer them her help: Jean-Luc is blind, Joséphine has reached the end of her life, and Carole is suicidal.
Dans les villes
Mariages
Catherine Martin
David Boutin, Guylaine Tremblay
Yvonne is a young woman living in Quebec in the latter half of the 19th century, under the controlling influence of both her elder sister, Hélène, and the repressive Victorian society that pervades the area. Yvonne has a sensual passion that her sister hopes to extinguish by placing her in a convent. As summer arrives, a strange dream suggests a different future, and Yvonne confronts the unexpected return of both her mother and her first love.
Marriages
La bouteille
Alain Desrochers
Réal Bossé, François Papineau
Réal and François are two old buddies in their early 30s who reunite at last to unearth a time capsule bottle which contains their dreams and ambitions from 15 years earlier. The problem is, their little treasure is buried on a plot of land that now belongs to a grumpy old coot, Antoine. Paying big bucks to get at their bottle, they discover that Antoine's daughter, Lea is trying to become pregnant and seeks the help of a gay friend to do it. Back in boyhood mode, Lea becomes the object of their desire.
The Bottle
Montréal vu par…
Jacques Leduc, Atom Egoyan
Jacques Allard, Denys Arcand
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
Montreal Stories
Tiens-toi bien après les oreilles à Papa
Jean-Pierre Bissonnette
Dominique Michel, Yvon Deschamps
The tribulations of two Québec nationalists in the English-speaking world of insurance. A satire that draws its irony from a specific social situation. A typical example of the era's popular comedies based on television and trendy stars, which gave birth to a certain commercial stream in Québec cinema.
Hold on to Daddy's Ears
