Pier Maria Rossi

The Messiah

Roberto Rossellini

Pier Maria Rossi, Mita Ungaro

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

Quelli che contano

Andrea Bianchi

Henry Silva, Barbara Bouchet

The gangster Tony Aniante in the middle of a feud between two mafia families. He manipulates both families into believing he is on their side and are just waiting for the right moment to take the initiative...

Madeleine, anatomia di un incubo

Roberto Mauri

Camille Keaton, Riccardo Salvino

A young woman is tormented by nightmares of her miscarriage. She becomes unfaithful to her husband and meets various lovers. Eventually, reality begins to unfurl around her.

Io e lui

Luciano Salce

Lando Buzzanca, Bulle Ogier

Rico is a not too successful screen-player. He is also a repressed sex addict. His life changes when he starts to talk to his own penis, which incredibly answers him! All his relationships and views about reality are seriously impacted by his new "friend", his penis! The "two" in fact, often have different opinions, and sometimes the personality of "it" is stronger than its owner.

Ancora una volta prima di lasciarci

Giuliano Biagetti

Corrado Pani, Barbara Bouchet

Two spouses, whose marriage is shipwrecked, recall during a last meeting, scenes and episodes of their life as a couple.

Il figlio della sepolta viva

Luciano Ercoli

Eva Czemerys, Fred Robsahm

L'Aretino nei suoi ragionamenti sulle cortigiane, le maritate e... i cornuti contenti

Enrico Bomba

Luciano De Ambrosis, Joyce Geraldine Stewart

Madonna Violante goes to Rome to find the three Armida daughters, Lorenza and Vanna, who she has not seen for many years; but first she stops by her friend Antonia from whom he learned many unseemly things about them.