Kirsten Søberg
1929 - 1980Døden kommer til middag
Erik Balling
Poul Reichhardt, Helle Virkner
A dark evening, a crime writer Peter Sander, drives through a forest when his car runs out of petrol . A little distance from the road there is a house with lighted windows, and he goes there to borrow a phone. Suddenly he trips over a tree root and sprain one foot . He lags up the forest road . Then there is a shot, a moment after running steps. A beam cuts through the dark. It goes out . The steps moves away. Peter gets up and stomps up to the house . No one responds to his knokking.
Death Comes at High Noon
Lille spejl
Edward Fleming
Frits Helmuth, Bodil Kjer
Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.
Mirror, Mirror
Tænk på et tal
Palle Kjærulff-Schmidt
Henning Moritzen, Bibi Andersson
The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.
Think of a Number
Måske ku' vi
Morten Bruus, Morten Arnfred
Karl Wagner, Marianne Groth Svendsen
Kim, an ordinary 15-year-old given mostly to himself, is living with an unmarried mother in a small apartment. One day, he falls hostage in a bank robbery along with an unfamiliar girl falls, but after making friends with the leader of the robbers, Kim and his new friend run away from them. Settling for a while in an empty house, teenagers fall in love.
Could We Maybe
Rend mig i traditionerne
Edward Fleming
Henrik Koefoed, Bodil Kjer
Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.
Kick Me in the Traditions!
The Song of the Red Ruby
Annelise Meineche
Elin Reimer, Paul Hagen
A young, idealistic business student has ambitions to be a concert pianist, but his obsession with beautiful women keeps him from achieving his goal. To earn money for his tuition, he takes a job as headmaster of a small girls' school. There his weakness for beautiful women is put to the test when he is pursued by a bevy of sexy coeds.
The Song of the Red Ruby
