Dorit Henke
2021
...e si salvò solo l'Aretino Pietro, con una mano davanti e l'altra dietro...
Silvio Amadio
Elisa Mainardi, Franca Gonella
The three daughters of Madonna Violante: Nanna, Concetta Fiorenza and have only one thought, to have a good time as much as possible with men. Learning that one of the peasants of the family, Torello, is powerful, attractive, and very handsome, Concetta he brings it into the house. Meanwhile Fiorenza, believing her husband to be out of town for penance, enjoys the favors of a friar.
Aretino's Stories of the Three Lustful Daughters
Zum zweiten Frühstück: Heiße Liebe
Hubert Frank
Ingeborg Steinbach, Ingrid Steeger
An oft-naked male reporter decides to do an expose on "sexual widows", housewives who are neglected by their busy husbands. - This cheaper sex film is disguised as a report about green widows.
Lonely Wives
Liebe in drei Dimensionen
Walter Boos
Ingrid Steeger, Christina Lindberg
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Love in 3-D
Come fu che Masuccio Salernitano, fuggendo con le brache in mano, riuscì a conservarlo sano
Silvio Amadio
Romano Bernardi, Giulio Donnini
The characters are two ruffians in various disguises: as false priests, they sell a rotten arm pretending it to be a relic of St. Luke; they cheat a stingy friar who abuses of the confessional to get rich and, once he finds out he's been cheated, gives himself sacramental absolution. They help the noble Filippo, disguised as a woman, in the alcove of the innkeeper's wife; they save from despair Fra Martino who had forgotten his underwear in his lover's house (one of them disguised as a cardinal retrieve the garment and expose it as a relic to the devotion of the faithful). To live with their lovers, Brother Jeronimo strives exorcisms and frà Partenope pretends to fight with the devil
Come fu che Masuccio Salernitano, fuggendo con le brache in mano, riuscì a conservarlo sano
