Gregor Bakovič
2021Moderne Kunst
Marko Šantić
Primož Pirnat, Mojca Fatur
Bojan and his wife Ida seem to live a harmonious life, yet without any physical contact between them. She is a housewife, and he is a security guard in a museum of contemporary art. One day, a very expensive piece of a phallic shape comes to the museum, and Bojan is assigned to ensure its safety. With its potency and symbolism, the new piece soon begins to disrupt Bojan’s marriage.
Moderne Kunst
Sladke sanje
Sašo Podgoršek
Janko Mandič, Veronika Drolc
Egon Vittori (Janko Mandic) is thirteen years old and does not have a record player. It is the beginning of the seventies and Yugoslavia seems to be the land of prosperity. Goods are being imported from the West, and these include American music, films and fashion. Everybody but Egon owns a record player. Finding his path among his family members, hippie owners of music records, schoolmates, teachers, communists and dissidents. Egon gets his record player in the end. And grows up somewhere along the way. Written by (Slovenian film fund)
Sweet Dreams
Ekspres, ekspres
Igor Šterk
Gregor Bakovič, Barbara Cerar
After his father's death, a young man (Gregor Bakovic) uses the black mourning flag and sews himself a pair of trousers. He then takes a train trip and meets a variety of bizarre characters, including a stowaway, a deaf-mute duo, a balloon-seller, a bird enthusiast, and an attractive girl (Barbara Cerar). Their railway romance gets derailed, but a variety of sight gags and caboose comedics keep the film on track and in loco motion.
Gone with the Train
Odgrobadogroba
Jan Cvitkovič
Gregor Bakovič, Brane Gruber
Pero is a professional funeral speaker in a small Slovenian town. His unique gift is to make every funeral that extra bit special. Pero just can't help turning his eulogies into witty personal confessions that bring the grieving crowd to tears for all the wrong reasons.
Gravehopping
Hvala za Sunderland
Slobodan Maksimović
Branko Đurić, Polde Bibič
The film takes place in Slovenia today. Johan (44), is a factory worker, who dreams of a dignified life for himself and his family. His best friend Janez introduces him to Zlatko, who doesn’t take bluetouth away from his ear, and he offers him a quick profit, better job and a raise. Accepting the offer Johan robs his wife's mother, who cheers for Manchester United, and his life after that moves downhill.
Thanks for Sunderland
Nekoč so bili ljudje
Goran Vojnović
Francesco Borchi, Moamer Kasumović
Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.
Once Were Humans
Carmen
Metod Pevec
Nataša Barbara Gračner, Sebastian Cavazza
Goran is a literary student who writes erotic stories to support himself is introduced to Carmen, who was born in extramarital relationship of an opera singer. Goran tries to get rid her of drugs and prostitution. Deeply depressed Carmen blames his mother for her own misery, which gets even worse after her death. A sense of guilt because of her mother's death leads Carmen to insanity.
Carmen
Pet majskih dni
Franci Slak
Uroš Potočnik, Ludvik Bagari
A young soldier enters a conflict with his superiors and because he does not get the exit for the May Day holidays, he decides to escape. The escape of the weapon is a serious offense, and because there are no routes back to the barracks, the fate of the violence that leads to a bloody bribe begins to unfold. The story goes back to the time of the Chernobyl nuclear catastrophe.
Five Days in May
Moj sin, seksualni manijak
Goran Vojnović
Valter Dragan, Maruša Oblak
Tone is convinced that his son is a sex maniac because he is supposedly looking under his teacher's skirt. But he is wrong. While he is obsessed with trying to find the reasons for his misfortune and even makes his wife miserable, his friend hints that sexuality is a matter of genes; Tone comes to a conclusion that he himself is a sex maniac.
My Son, a Sexual Maniac
