Kornél Mundruczó
1975 (49 лет)
Pieces of a Woman
Kornél Mundruczó
Vanessa Kirby, Shia LaBeouf
When a young mother's home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss.
Pieces of a Woman
Evolution
Kornél Mundruczó
Lili Monori, Annamária Láng
In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future
Evolution
Delta
Kornél Mundruczó
Orsolya Tóth, Félix Lajkó
A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new place by building a new home for himself on the delta. But when his sister moves in with him and the two begin a romance, there are tragic consequences.
Delta
Kis apokrif no. 2
Kornél Mundruczó
Now when he had left speaking, he said unto Simon, launch out into the deep and let down your nets for a draught. And Simon answering said unto him, Master, we have toiled all the night, and have taken nothing: nevertheless at thy world I will let down the net.
Little Apocrypha No. 2
Jupiter's Moon
Kornél Mundruczó
Merab Ninidze, György Cserhalmi
A young refugee, Aryan, is shot while illegally trying to cross the Hungarian border. While tending him back to health, a doctor at a refugee camp discovers that Aryan has gained an extraordinary talent—he can levitate. Aryan is smuggled out by the doctor, who is intent on exploiting his secret.
Jupiter's Moon
Afta
Kornél Mundruczó
Robert Hegyi, Tamás Polgár
As if we were in a small town. An ordinary day in a kid’s life. An incredibly hot day. Here everything is unique. One gang. One game. One field. One girl. In the span of one day, how can this boy arrive at such a changing point in his life from which there is no return?
Day After Day
Utolsó vacsora az Arabs Szürkénél
Miklós Jancsó
Zoltán Mucsi, Scherer Péter
Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.
Last Supper at the Arabian Gray Horse
Tender Son: The Frankenstein Project
Kornél Mundruczó
Rudolf Frecska, Lili Monori
A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.
Tender Son: The Frankenstein Project
Johanna
Kornél Mundruczó
Orsolya Tóth, Eszter Wierdl
Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.
Johanna
Ede megevé ebédem
Miklós Jancsó
Zoltán Mucsi, Scherer Péter
Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.
Ed's Eaten Elevenses
