Brillante Mendoza
1960 (64 года)French Cinema Mon Amour
Damien Cabrespines, Ann-Solen Douguet
Jean-Pierre Dardenne, Luc Dardenne
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
French Cinema Mon Amour
Grandmother
Brillante Mendoza
Anita Linda, Tanya Gomez
Lola Sepa's grandson has been killed by a cell phone snatcher. Despite being devastated by the sudden violence, she must bear the burden of making the funeral arrangements. She and her family are poor, and there is not enough money for the coffin nor the legal pursuit against the suspected murderer. But the elderly woman is ready to even seek a bank loan to assure both a proper burial and justice for her beloved grandson. Lola Puring is committed to getting her grandson Mateo out of jail, although he has been accused of senselessly murdering Lola Sepa's grandson. But the poor aged woman doesn't have the bail money. Each time she visits her grandson in prison to bring him proper meals, it breaks her heart to see him wasting away behind bars with countless others. At the first court hearing, the two grandmothers must face one another. Both frail and poor, each is determined to do everything necessary for her grandson. The future of the case is dependent on grandmotherly love...
Grandmother
Foster Child
Brillante Mendoza
Cherry Pie Picache, Kier Segundo
Thelma, together with her husband Dado and teenage sons Gerald and Yuri, are a poor urban family hired by a local foster care facility to provide temporary home and care to abandoned babies pending the latter's formal adoption.
Foster Child
Ma' Rosa
Brillante Mendoza
Jaclyn Jose, Julio Diaz
Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.
Ma' Rosa
Tirador
Brillante Mendoza
Jiro Manio, Coco Martin
A tribute to the real potential of digital cinema, Slingshot is a slum epic on steroids. It weaves stories left and right into a shocking tableau about life for the lowest of the low in the Philippines poorest and most crime-ridden districts. National elections are coming up so in the usual attempt to appear “tough-on-crime”, The Big Boys have been sent into crack down on the the local squatters, thieves and miscreants who litter the film like broken bottle. And since no sweep is ever a clean sweep, the cops brutal shock-force tactics quickly ripple outwards with jagged repurcussions.
Slingshot
Southeast Asian Cinema – When the Rooster Crows
Leonardo Cinieri Lombroso
Eric Khoo, Brillante Mendoza
Southeast Asia Cinema - When the rooster crows is a voice of diversity reaching for change. Brillante Mendoza, Eric Khoo, Garin Nugroho, Pen Ek Ratanaruang give voice to a region rich with traditions, ethnic groups, languages, politics, and religions. It is cinema, at its purest form, fighting for freedom of expression, documenting real lives of ordinary people, giving voice to the underdogs and the outcasts. The amalgamation of these aspects gives birth to an ultra-neo-realistic cinema language currently unique to films from this region.
Southeast Asian Cinema – When the Rooster Crows
Manoro
Brillante Mendoza
Jonalyn Ablong, Edgar Ablong
The mountain-dwelling Aetas have been forced to settle in the lowlands by the sudden eruption of Mt. Pinatubo. With their settlements being closer to the government-funded schools of the Kapampangan townships, the Aeta children now have the opportunity to study. Jonalyn, one of the elementary school graduates of the ceremony depicted in the confused introduction and an Aeta, seeks to teach her elders to read and write a day before the National Elections. With Jonalyn's effort, the Aetas, for the very first time, have participated in the democratic process that has existed in the Philippines since the early part of the 20th century.
Manoro
The Great Cinema Party
Raya Martin
Mark Peranson, Brillante Mendoza
A group of friends, sharing a passion for cinema, assemble in Corregidor, a small island in Manila Bay that has preserved relics from the Pacific War as its foremost attractions. There, they explore the island and retire in a rustic mansion used once to make silent films. Outside the city, the woods and sea become a meeting place for more movie personalities and it all becomes a celebration of what was left behind.
The Great Cinema Party
Alpha: The Right to Kill
Brillante Mendoza
Allen Dizon, Elijah Filamor
Set against the backdrop of the Philippines Government’s crackdown on illegal drugs, a SWAT-led police force launches an operation to arrest Abel, one of the biggest druglords in Manilla. Police Officer Espino and Elijah, a small-time pusher turned informant, provide the intelligence for the operation which quickly escalates into a violent and heavely-armed confrontation in the slums between the SWAT and Abel’s gang. Before the investigators arrive at the crime scene, Espino and Elijah walk off with Abel’s backpack full of money and methamphetamine.
Alpha: The Right to Kill
