László Gálffi
1952 (73 года)Colonel Redl
István Szabó
Klaus Maria Brandauer, Hans Christian Blech
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.
Colonel Redl
Szenvedély
György Fehér
Ildikó Bánsági, János Derzsi
György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.
Passion
Ki beszél itt szerelemről?
Péter Bacsó
László Gálffi, Györgyi Tarján
One morning, the caretaker of the student hostel of the University of Horticulture finds Citrom Flóra and Bohus Tamás, by the purest accident, in one bed together. Both are dismissed from university. During the appealing procedures they fall in love with each other.
Why not Speak of Love?
Abandoned
Árpád Sopsits
Tamás Mészáros, Szabolcs Csizmadia
Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...
Abandoned
Requiem
Zoltán Fábri
Edit Frajt, Lajos Balázsovits
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
Requiem
Utóélet
Virág Zomborácz
Márton Kristóf, László Gálffi
A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.
Afterlife
Csajok
Ildikó Szabó
Enikő Eszenyi, Dorottya Udvaros
Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.
Bitches
A kenguru
János Zsombolyai
László Gálffi, Éva Vándor
Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.
The Kangaroo
6:3 avagy, játszd újra Tutti
Péter Tímár
Károly Eperjes, Kriszta Szalay
The makers, especially Péter Tímár wanted to invoke the atmosphere of the communist dictatorship of Rákosi era lasted from 1947 to 1956. I think they've managed to reconstruct it very much: if you read the history books about the era and newspapers from that times, if you listened to your parents' and grandparents' tales, you will experience the similarities are shocking. The main character (Tutti - Károly Eperjes) is excellent, Eperjes, acting an eccentric, but likable crank is in his royal spirits.
6:3, Play It Again Tutti
