Gabriel Barylli
1957 (69 лет)Zeitgenossen
Ernst Josef Lauscher
Gabriel Barylli, Wolfram Berger
Within the span of 48 hours "contemporaries" encounter each other. In the middle is Max, who lost his job years ago because of his affair with the wife of an influential man. The story of an encounter which turns out badly because the people involved can't quite communicate.
Contemporaries
Eine blassblaue Frauenschrift
Axel Corti
Friedrich von Thun, Krystyna Janda
In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?
Eine blassblaue Frauenschrift
Wohin und zurück - Santa Fe
Axel Corti
Gabriel Barylli, Monica Bleibtreu
Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"
Santa Fe
Wohin und zurück - Welcome in Vienna
Axel Corti
Gabriel Barylli, Claudia Messner
In the conclusion of Axel Corti's trilogy (following God Does Not Believe In Us Anymore and Santa Fe) Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception. This acclaimed, brilliant work is one of the great films of all time.
Welcome in Vienna
Blutrausch
Thomas Roth
Willi Resetarits, Heribert Sasse
After the last concert of a long tour, Dr. Kurt Ostbahn retires to his favorite café to relax. He is suddenly dragged into a bizarre criminal case. His vacation then fills with vice, perversion and murder. Of course, this is not just a story; Dr. Kurt Ostbahn experienced everything himself! The characters are not inventions; they are personal acquaintances of Dr. Ostbahn. Only the names and details have been changed so as to make them barely recognizable. And the story is more exciting than real life.
Blutrausch
Mein Freund der Wolf
Susanne Zanke
Susanne Schäfer, Michael Schiller
Biologist Karin Aich hopes to reintroduce wolves in Bavaria, making many enemies, including her own neighbors and family, along the way. One of her few supporters is a girl who befriends a feral wolfdog.
My Friend the Wolf
Krambambuli
Xaver Schwarzenberger
Tobias Moretti, Christine Neubauer
The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.
Krambambuli
Kronprinz Rudolf
Robert Dornhelm
Max von Thun, Vittoria Puccini
A great Empire, once famous for its enlightened traditions, is taken over by a ruthless political establishment. Religious fundamentalists and national separatists are tearing at the fabric of its liberal society. Under the influence of his conservative advisors, the Emperor fails to initiate the reforms that could save the Empire from annihilation. One man alone can avert the cataclysm to come. The year is 1888 and the 600-year-old Empire of Austria-Hungary is at a cross-road of history. Crown-Prince Rudolf, son of fabled Empress Sisi, the most beautiful woman of her time, is the man with the vision and the ability to lead his Empire into the 20th century. Yet his enemies, the all-powerful Prime Minister first and foremost, scheme to isolate Rudolf from his father and from access to power. Against the backdrop of one of the most dangerous, exciting and colorful periods in history, at the dawn of the modern age...
The Crown Prince
Das weite Land
Luc Bondy
Michel Piccoli, Bulle Ogier
The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.
The Distant Land
A French Woman
Régis Wargnier
Emmanuelle Béart, Daniel Auteuil
Wed just as war breaks out, Jeanne hardly gets to know her military husband, Louis, before the debacle of 1940. While waiting for his return from a POW camp, Jeanne journeys through countless affairs with Louis' comrades- in-arms. Hoping to forget these wartime betrayls, Louis takes his wife and the infant twins he didn't father to Berlin, where she falls for Matthais, a sensitive German industrialist. When the Indochinese war sends Louis to Vietnam, Matthais follows Jeanne back to France. A subsequent move to Damascus where Louis is posted as military attache, fails to break their bond.
A French Woman
Code Name: Emerald
Jonathan Sanger
Ed Harris, Max von Sydow
In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the 'overlords' were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French resistance.
Code Name: Emerald
