
Franziska Weisz
1980 (45 лет)Franziska Weisz is an Austrian actress. She starred in the film Hotel, which was screened in the Un Certain Regard section at the 2004 Cannes Film Festival.
Description above from the Wikipedia article Franziska Weisz, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Stations of the Cross
Dietrich Brüggemann
Lea van Acken, Franziska Weisz
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
Stations of the Cross
Half a life
Nikolaus Leytner
Josef Hader, Matthias Habich
A young woman is found raped and bludgeoned to death. Her father can’t reconcile himself with her death, and even less with the fact that the murderer was never found. Half of his life he continues the search. Finally, after more than 20 years, as DNA-analysis becomes a factor in forensic medicine, new perspectives open.
Half a Life
Renn, wenn Du kannst
Dietrich Brüggemann
Robert Gwisdek, Jacob Matschenz
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Run If You Can
Arthur & Claire
Miguel Alexandre
Josef Hader, Hannah Hoekstra
The chance meeting of two people at the darkest moments of their lives leads to a bright new beginning : Arthur (around 50) and Claire (around 30) pull each other from the abyss – by trying to save the other they see the worth of their own life.
Arthur & Claire
Dog Days
Ulrich Seidl
Maria Hofstätter, Alfred Mrva
In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.
Dog Days
Zwischen uns die Mauer
Norbert Lechner
Lea Freund, Tim Bülow
In 1986, Anna from West Germany and the GDR citizen Philipp meet at a church youth exchange in East Berlin. It's love at first sight. But it is also an impossible love, because between them stands the wall.
Zwischen uns die Mauer
Move
Dietrich Brüggemann
Anna Brüggemann, Robert Gwisdek
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Move