Wiesław Gołas
1930 (95 лет)
Poszukiwany, poszukiwana
Stanisław Bareja
Wojciech Pokora, Jolanta Bohdal
Stanisław Maria Rochowicz, a bumbling art historian, is falsely accused of stealing a painting. The alleged thief faces five years in prison. Desperate, he decides to hide in disguise as a woman until he can paint a copy of the stolen canvas. Lacking means to live, he has to work for some time, of course, as a woman. He gets a job as a domestic helper. However, he has no luck with employers.
Man - Woman Wanted
How to Be Loved
Wojciech Has
Barbara Krafftówna, Zbigniew Cybulski
An actress travels from Warsaw to Paris and during the trip reflects on the last few years of her life. It goes back to the German occupation and her hiding of a fellow actor who has supposedly killed a collaborator.
How to Be Loved
Brunet wieczorową porą
Stanisław Bareja
Krzysztof Kowalewski, Wojciech Pokora
Modest editor, has shipped his wife and kids for the weekend, and is trying to relax in his house at the outskirts of Warsaw. His quiet evening is only disturbed by the accidental forecast made by a Gypsy woman, that at evening time he will murder a mysterious brunet.
Brunet Will Call
Nie ma róży bez ognia
Stanisław Bareja
Jacek Fedorowicz, Halina Kowalska
Janek and Wanda live in a small room in a villa, while other rooms are occupied by offices of various institutions. Janek often stays at work after hours, just to avoid returning to the cramped apartment too early. One day, a man named Malinowski, who once lived in the same small room, visits the couple. He proposes to exchange their room for a new, two-room apartment that he has just received. Janek and Wanda are initially distrustful, but eventually, the exchange takes place. It turns out that Wanda's ex-husband, Jerzy, already lives in the new apartment. Despite the divorce, as he is registered with Wanda, he has the right to continue living in her apartment. Janek tries to find a way to get rid of the intruder.
A Jungle Book of Regulations
The Law and the Fist
Edward Skórzewski, Jerzy Hoffman
Gustaw Holoubek, Zofia Mrozowska
At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.
The Law and the Fist
Dom bez okien
Stanisław Jędryka
Wiesław Gołas, Danuta Szaflarska
All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.
The Impossible Goodbye
Pokolenie
Andrzej Wajda
Tadeusz Łomnicki, Urszula Modrzyńska
Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.
A Generation
Ogniomistrz Kaleń
Czesław Petelski, Ewa Petelska
Wiesław Gołas, Zofia Słaboszowska
The movie is about the fate of Polish soldier named Kaleń who fought with UPA in 1945. Set in the closing days of World War II, the film recounts the adventures of the Polish soldier caught in the turmoil among the Polish Communist army, anti-communist underground and Ukrainian fascists.
The Artillery Sergeant Kalen
Lalka
Wojciech Has
Beata Tyszkiewicz, Mariusz Dmochowski
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
The Doll
Cień
Jerzy Kawalerowicz
Zygmunt Kęstowicz, Adolf Chronicki
A man has been found dead after having been hurled from a train. As security agents, police and a medical examiner piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war, and one in contemporary Poland.
Shadow
