Raymond Depardon
1942 (82 года)
10e chambre - Instants d'audience
Raymond Depardon
Michèle Bernard-Requin
The proceedings of a Paris courtroom are the grist for this documentary. Drawn from over 200 appearances before the same female judge, the director chooses a dozen or so varied misdemeanor and civil hearings to highlight the subtle details of human behavior. In the process he draws attention to issues of guilt, innocence, policing and ethnicity in France.
The 10th District Court: Moments of Trial
Profils paysans, chapitre 2 : Le Quotidien
Raymond Depardon
Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.
Profils paysans, chapitre 2 : Le Quotidien
Profils paysans, chapitre 3 : La vie moderne
Raymond Depardon
Paul Argaud, Marcel Challaye
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
Modern Life
Muriel Leferle
Raymond Depardon
Muriel Leferle is 22-years-old, a convicted felon, HIV-positive, and can talk her way out of nearly anything. Filmmaker Raymond Depardon first encountered Leferle while shooting his documentary Delits Flagrants/Caught In The Act, about criminals dealing with the judicial system, and eventually decided her story was too good to limit to the 20 minutes of screen time she won in that picture. Muriel Leferle tells her hair-raising life story in greater scope than in the earlier film (both the truth and the version she gives to the judge); despite an unrepentant attitude about her life of crime, Leferle comes off as oddly likable, with street smarts and spunk to spare.
Muriel Leferle
Paris
Raymond Depardon
Utilizing a combination of professional actors and man-on-the-street interviews, French director Raymond Depardon has created a film about filmmaking that centers on a rather discriminating director's search for the perfect leading lady. The main problem is that the helmer (Luc Delahaye) doesn't really know what his next film will be about, let alone what kind of woman should be his star. Looking for inspiration, the director and his casting agent (Sylvie Peyre) visit the Saint Lazare train station in Paris and shoot some footage of passengers entering and exiting the trains. Later he encounters a few actresses, but rather than asking about their professional experiences, the director focuses on their personal lives. After several fruitless interviews, the director confesses to the casting agent that he really wants to utilize a non-professional actress.
Paris
