James Cagney
1899 - 1986James Francis Cagney, Jr. (July 17, 1899 – March 30, 1986) was an American film actor. Although he won acclaim and major awards for a wide variety of roles, he is best remembered for playing "tough guys". In 1999, the American Film Institute ranked him eighth among the Greatest Male Stars of All Time.
In his first performing role, Cagney danced dressed as a woman in the chorus line of the 1919 revue Every Sailor. He spent several years in vaudeville as a hoofer and comedian until his first major acting role in 1925. He secured several other roles, receiving good reviews before landing the lead in the 1929 play Penny Arcade. After rave reviews for his acting, Warners signed him for an initial $500 a week, three-week contract to reprise his role; this was quickly extended to a seven year contract. Cagney's seventh film, The Public Enemy, became one of the most influential gangster movies of the period. Notable for its famous grapefruit scene, the film thrust Cagney into the spotlight, making him one of Warners' and Hollywood's biggest stars.
In 1938, he received his first Academy Award Best Actor nomination for Angels with Dirty Faces, before winning in 1942 for his portrayal of George M. Cohan in Yankee Doodle Dandy. He was nominated a third time in 1955 for Love Me or Leave Me. Cagney retired for 20 years in 1961, spending time on his farm before returning for a part in Ragtime mainly to aid his recovery from a stroke.
Cagney walked out on Warners several times over his career, each time coming back on improved personal and artistic terms. In 1935, he sued Warners for breach of contract and won; this marked one of the first times an actor had beaten a studio over a contract issue. He worked for an independent film company for a year while the suit was settled, and also established his own production company, Cagney Productions, in 1942 before returning to Warners again four years later. Jack Warner called him "The Professional Againster", in reference to Cagney’s refusal to be pushed around. Cagney also made numerous morale-boosting troop tours before and during World War II, and was President of the Screen Actors Guild for two years.
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James Cagney: That Yankee Doodle Dandy
Richard Schickel
James Cagney
During the filming of Ragtime, the 81-year old Cagney talks about his career. Cagney tells us about becoming a dancer and meeting his wife, his route from Broadway to Hollywood, the emergence of his tough-guy persona, and his post-war creations of insane characters.
James Cagney: That Yankee Doodle Dandy
Showbiz Goes to War
Gayle Gibson Sedawie, Norman Sedawie
Bud Abbott, Larry Adler
While a few Hollywood celebrities such as James Stewart and Clark Gable saw combat during World War II, the majority used their talents to rally the American public through bond sales, morale-boosting USO tours, patriotic war dramas and escapist film fare. Comedian David Steinberg plays host for this star-studded, 90-minute documentary, which looks at the way Tinseltown helped the United States' war effort.
Showbiz Goes to War
Angels with Dirty Faces
Michael Curtiz
James Cagney, Pat O’Brien
Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.
Angels with Dirty Faces
This Is Bob Hope...
John Scheinfeld
Bob Hope, Billy Crystal
During his career, Bob Hope was the only performer to achieve top-rated success in every form of mass entertainment. American Masters explores the entertainer’s life through his personal archives and clips from his classic films.
This Is Bob Hope...
The Roaring Twenties
Raoul Walsh
James Cagney, Priscilla Lane
After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.
The Roaring Twenties
Hollywood Out-takes and Rare Footage
Stanley Sheff, Bruce Goldstein
Gig Young, Bud Abbott
Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.
Hollywood Out-takes and Rare Footage
One, Two, Three
Billy Wilder
James Cagney, Liselotte Pulver
C.R. MacNamara will do anything to get a promotion within the Coca-Cola company, including looking after boss W.P. Hazeltine's rebellious teenage daughter, Scarlett. When Scarlett visits Berlin, where C.R. is stationed, she reveals that she is married to a communist named Otto Piffl -- and C.R. recognizes that Otto's anti-establishment stance will clash with his boss's own political views, possibly jeopardizing his promotion.
One, Two, Three
Complicated Women
Hugh Munro Neely
Jane Fonda, Frances Dee
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Complicated Women
You Must Remember This: The Warner Bros. Story
Richard Schickel
Clint Eastwood, Carroll Baker
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
You Must Remember This: The Warner Bros. Story
The Public Enemy
William A. Wellman
James Cagney, Jean Harlow
Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.
The Public Enemy