Jiří Weiss
1913 - 2004Romeo, Juliet and Darkness
Jiří Weiss
Ivan Mistrík, Daniela Smutná
Pavel, a young student living in Prague in 1942, hides a Jewish girl in his apartment building's attic. Amidst the brutality of the occupying German army, love blossoms between the two. He is her only link to the outside world. Then the two are discovered by Pavel's mother, who forces the residents of the apartment building to decide whether Hana can remain.
Romeo, Juliet and Darkness
Zbabělec
Jiří Weiss
Daniela Smutná, Ladislav Chudík
In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.
The Coward
The Golden Fern
Jiří Weiss
Vít Olmer, Karla Chadimová
Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.
The Golden Fern
Vlčí jáma
Jiří Weiss
Miroslav Doležal, Jiřina Šejbalová
The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.
Wolf Trap
Vražda po našem
Jiří Weiss
Rudolf Hrušínský, Květa Fialová
The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
Murder Czech Style
Martha et moi
Jiří Weiss
Marianne Sägebrecht, Michel Piccoli
Emil (Vaclav Chalupa as a teen, Ondrej Vetchy as an adult) has been naughty, and his family is at a loss about what to do with him. He's been dallying with the family maid. They decide to ship him off to spend time with his uncle Ernst Michel Piccoli), who married his family maid. The boy has a good relationship with his uncle, and a touching picture of Czech family life just at the advent of World War II emerges. Since Emil and Ernst are both Jewish, they are eventually carted away by the Nazis.
Martha and I
