Nao Albet
1990 (35 лет)El buen patrón
Fernando León de Aranoa
Daniel Chamorro, Celso Bugallo
Julio Blanco is the proprietor of Básculas Blanco, a Spanish company producing industrial scales in a provincial Spanish town, which awaits the imminent visit from a committee that will decide if they merit a local Business Excellence award: everything has to be perfect when the time comes. Working against the clock, Blanco pulls out all the stops to address and resolve issues with his employees, crossing every imaginable line in the process.
The Good Boss
El Buen Patrón
Fernando León de Aranoa
Javier Bardem, Manolo Solo
Julio Blanco is the proprietor of Básculas Blanco, a Spanish company producing industrial scales in a provincial Spanish town, which awaits the imminent visit from a committee that will decide if they merit a local Business Excellence award: everything has to be perfect when the time comes. Working against the clock, Blanco pulls out all the stops to address and resolve issues with his employees, crossing every imaginable line in the process.
The Good Boss
The Power of Silence
Manuel Huerga
Joan Pera, Nao Albet
Prades, France, 1940s. The exiled Catalan cellist Pau Casals decides not to perform any more in public until the fall of the dictatorship that oppresses Spain. Pierre, a young Frenchman studying with Casals, tries to convince him to celebrate an extraordinary concert as a tribute to freedom.
The Power of Silence
Forasters
Ventura Pons
Anna Lizaran, Joan Pera
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
Strangers
Cançó per a tu
Oriol Ferrer
Nao Albet, Candela Serrat
Barcelona, 1966. Laia is a Law student at the University of Barcelona. She works part time in the University library to help cover her tuition, and writes songs in her free time. Laia starts dating Ignasi, a student who is committed to the clandestine fight against the Franco regime. Someone breaks into their relationship; David, Ignasi's best friend. A shallow boy from a well-to-do family. But David is not who he seems to be.
Cançó per a tu
El dios de madera
Vicente Molina Foix
Marisa Paredes, Nao Albet
Yao and Moroccan Rachid arrive illegally in Valencia, Spain, and separate. Yao sells pirated DVDs in the street and wanders disconsolately around the barrio until he glimpses divorcee Maria Luisa working in her boutique. High-strung and irritable, Maria lives with her gay son, Rober, who, like many other things in life, is a disappointment to her. Rachid, meanwhile, is doing just fine working as a hairstylist in a beauty salon; Rober is hopelessly in love with him. When Yao starts sleeping in Rober's flat, a confrontation between him and Maria suddenly becomes inevitable, and when it comes, what could have been an embarrassment is actually handled with grace.
The God of Wood
Incidencias
Juan Cruz, José Corbacho
Lola Dueñas, Carlos Areces
The last train travel of the year from Barcelona to Madrid, suddenly stops by a voltage drop in the middle of nowhere during a fierce snowstorm. Because of the peculiarity of its passengers, will begin to emerge hilarious conflicts between them.
Stranded
Mammon
Marcel Borràs, Nao Albet
Irene Escolar, Marcel Borràs
Two young promises of theatre fall into the nets of greed as they try to raise the money needed to carry out their most ambitious montage. A spiral of nonsense, drugs and lies, which begins in Syria and ends in Las Vegas.
Mammon
