
Amparo Baró
1937 - 2015El cianuro… ¿solo o con leche?
Mara Recatero
Mari Carmen Prendes, Aurora Redondo
A decrepit house in Badajoz, Spain, on a cold winter night in 1925. Laura and her mother Adela, who is confined to a wheelchair, are faced with the possibility of putting an end to the grumpy grandfather's life, who is around ninety-two years old. But then, suddenly, cousin Enrique, a doctor by profession, shows up, which will change the course of events…
El cianuro… ¿solo o con leche?
November
Achero Mañas
Óscar Jaenada, Ingrid Rubio
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
November
The Nest
Jaime de Armiñán
Héctor Alterio, Ana Torrent
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.
The Nest
Las cosas del querer
Jaime Chávarri
Ángela Molina, Ángel de Andrés López
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
The Things of Love
Maktub
Paco Arango
Diego Peretti, Aitana Sánchez-Gijón
The title refers to those strange coincidences that happen to us sometimes and that seem inevitable, like a product of destiny. Inspired by the experience of a Canarian child victim of cancer, the film is conceived as a Christmas story.
Maktub
Seven Billiard Tables
Gracia Querejeta
Maribel Verdú, Blanca Portillo
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed away. Charo, the dead man's lover, explains the dire traits suffered by the paternal business: a hall with seven billiard tables.
Seven Billiard Tables
Tormento d'amore
Leonardo Bercovici, Claudio Gora
Märta Torén, Massimo Serato
"Torment of love" - Sara and Pietro meet in Barcelona and immediately a strong friendship grows between them, that soon turns into love. Sara does not dare to tell Pietro about a recent affair with a man called Roberto.
Tormento d'amore
Stico
Jaime de Armiñán
Fernando Fernán Gómez, Agustín González
Leopoldo Contreras, a professor emeritus of Roman law has serious economic problems. His translations of classical authors do not give enough money to live and had to sell even their floor. To remedy the situation is offered as a slave to a former student in exchange for room and board.
Stico
En Septiembre
Jaime de Armiñán
Carmen de la Maza, Amparo Baró
The former pupils of the school "Ateneo" meet several years later to honor the retirement of the head master, Mrs. María. The house where everyone meets, still evokes ancient memories from that time. One of them proposes something very special, to play the journey exactly as they used to do it. From the 40 people committed, only 9 show up. Their frustration grows when the journey begins and they still don't know what are they going to do.
En septiembre