Hristina Popović
1982 (43 года)Circles
Srdan Golubović
Aleksandar Berček, Leon Lučev
Circles (Serbian: Krugovi) is a Serbian movie based on the true story of a Serbian soldier who risked his life to protect a Muslim civilian during the war in Bosnia. During the war in Bosnia in 1993, a Serbian soldier pays for his life after protecting a Muslim civilian from being attacked by three other soldiers. 12 years later, the consequences of this act of heroism are still having their repercussions.
Circles
Enclave
Goran Radovanović
Milena Jakšić, Filip Šubarić
Nenad, ten years Christian boy from a Serbian enclave, determined to create a proper community burial for his late grandfather, crosses enemy lines and makes friends among the Muslim majority in deeply divided, war-torn Kosovo.
Enclave
The Parade
Srđan Dragojević
Nikola Kojo, Hristina Popović
The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.
The Parade
Поред мене
Stevan Filipović
Hristina Popović, Mirjana Karanović
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Next to Me
A Good Wife
Mirjana Karanović
Mirjana Karanović, Boris Isaković
When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.
A Good Wife
Noć u kući moje majke
Žarko Dragojević
Igor Pervić, Zumreta Ibrahimović
A love story of a couple coming from different social backgrounds set in the context of Yugoslavian reality, its social and state decline. Their quest for the meaning of life proves to be nothing but failure.
A Night at My Mother's House
Kordon
Goran Marković
Milutin Milošević, Marko Nikolić
Yugoslavian filmmaker Goran Markovic directs the psychological drama The Cordon. Set in Belgrade over Easter weekend in 1997, the film involves a group of policemen who respond to the city's political turmoil. Due to the overthrow of Serbian leader Slobodan Milosevic, violence and protests have erupted all over the city. Patrolling the streets in a bus driven by Uros (Ratko Tankosic), the unit consists of Crni (Dragan Petrovic), Dule (Nikola Duricko), Kole (Nebojsa Milovanovic), and Seljak (Nenad Jezdic). They are led by commanding officer Dragon (Marko Nikolic), who isn't entirely sure what to do himself. Throughout their weekend-long shift, each man battles with his own personal problems as the political tension escalates. The Cordon won the top prize at the 2003 Montreal World Film Festival.
The Cordon
Biser Bojane
Milan Karadžić
Slaven Došlo, Milutin 'Mima' Karadžić
Đorđe is being summoned to Ada Bojana to meet his father for the first time. Nikola, his dad, is a jailbird and ex-thief. Although everyone thinks Đorđe's gay, he meets Lola and sparks fly. In the meantime, everyone from cops to crime bosses want diamonds from Nikola's last heist.
Diamond of Boyana
Praktičan vodič kroz Beograd sa pevanjem i plakanjem
Bojan Vuletić
Jean-Marc Barr, Julie Gayet
This is a modern age romantic comedy about the trials to find the right person, in four very different love stories. Initially, Stefan, a young overbearing Belgrade driver who does not believe in anyone or anything, falls in love with Sylvie, French singer, which controlled herself for too long, and now is on the verge of a nervous breakdown and for the first time she will do all that she has always dreaming of. Melita, a frustrated middle-aged woman, who by day works as an organizer of the concert evenings becomes disappointed because her lover, Brian, an American diplomat, in fact, is not the guy that he say he is.
Practical Guide to Belgrade with Singing and Crying
Ministarstvo ljubavi
Pavo Marinković
Stjepan Perić, Dražen Kuhn
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.
Ministry of Love
Tango je tužna misao koja se pleše
Mladomir 'Puriša' Đorđević
Dragan Mićanović, Ana Sofrenović
A famous fashion designer returns to his birthplace in a tiny Serb town, in the wake of the recent war. Although the inhabitants still love to dance the tango and live life's pleasures to the full, the Mafia have gained a foothold.
Tango Is a Sad Thought to Be Danced
Dezerter
Živojin Pavlović
Radoš Bajić, Rade Šerbedžija
During the Yugoslav break-up, Federal Army officer is fed up with war and takes some leave in Belgrade. However, it turns out that he is less haunted by war horrors than with some sentimental skeletons in the closet. He meets his former comrade and best friend who is AWOL, but can't report him because he had an affair with his wife.
Deserter
Oktobar
Damir Romanov, Ivan Pecikoza
Ljiljana Dragutinović, Jovo Maksić
Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.
October
