Ana Celentano
1969 (56 лет)La Noche de los Lápices
Héctor Olivera
Alejo Garcia Pintos, Vita Escardó
The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.
Night of the Pencils
Fantasma de Buenos Aires
Guillermo Grillo
Estanislao Silveyra, Iván Espeche
A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.
A Buenos Aires Ghost
Yo nena, yo princesa
Federico Palazzo
Eleonora Wexler, Isabella G.C.
The story focuses on the life of a couple and their twin sons, one of whom begins to show that he identifies as a girl. From this, Gabriela, the mother, will try to understand the situation of her son who soon becomes a trans girl, thus beginning a struggle for the rights and gender identity of Luana , who will also have to face the rejection of her father Guillermo.
I'm a Girl, I'm a Princess
La isla del viento
Manuel Menchón
José Luis Gómez, Víctor Clavijo
The first fiction feature by Spanish director Manuel Menchón reconstructs the banishment of writer and philosopher Miguel de Unamuno (1864-1936) from Bilbao to Fuerteventura by Primo de Rivera's dictatorship, as punishment for his openly dissident statements against the military regime, the King and the monarchic system.
The Island of Wind
Sangre del pacífico
Boy Olmi
Ana Celentano, Ezequiel Díaz
Jorge is an old artist, actor and director, who says he wants to direct a film about the Latin American wars of independence. Charito is a young woman who comes from the Peruvian jungle to work as a maid in Buenos Aires. The unconscious of the protagonists bursts in the form of dreams, visions and fantasies amid horses, fencing sessions, fragments of lost films and anthropological videos.
Blood Pacific
El mural
Héctor Olivera, Javier Olivera
Carla Peterson, Luis Machín
David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.
The Mural of Siqueiros
Las viudas de los jueves
Marcelo Piñeyro
Ernesto Alterio, Juan Diego Botto
The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.
The Widows of Thursdays
Forgotten
Carlos Bolado
Damián Alcázar, Carla Ortiz
José, a Bolivian retired general, is lying on his deathbed after a heart attack. Tormented by memories of his involvement in Operation Condor and invaded by deep remorse, he decides to tell his only son his biggest secrets in search of redemption.
Forgotten
