Kristian Levring
1967 (57 лет)Kristian Levring is a Danish director born in 1957 in Denmark. He was the fourth signatory of Dogme95. He lived eight years in France. He graduated in editing at the National Film School of Denmark and has edited a large number of documentaries and feature films besides directing two feature films, among these, Et skud fra hjertet (1986). He is the recipient of some 23 Danish and international awards for his commercials. The King is Alive (Dogme 4) is his third feature film. The King is Alive tells the story of a mixed group of tourists in Namibia, Africa, whose bus breaks down in a remote, abandoned village (formerly a mining town). Facing starvation, dehydration, cabin fever, and death, one of the group decides to stage a production of Shakespeare's King Lear and casts the others as characters. As the thin veneer of civilized behavior breaks down, the group experiences the absurdity of putting on a play (for no audience except one lone indigenous man) in such dire and fatal circumstances. Filmed in stark digital and adhering to the tenets of Dogme filmmaking, The King is Alive is a fascinating study in the dark heart of people under extreme stress. Herzogian in its theme and mood, the film's location (remote Namibia) is as much a character in the film as the actors, like the space ship in Ridley Scott's Alien. The King is Alive features Jennifer Jason-Leigh and Brion James (Blade Runner's "Leon"; Cabin Boy). Dark, tense, and desperate, it stands as a powerful piece of filmmaking. Levring's next film after The King is Alive is called The Intended and features some of the same actors from the former. Set in the jungle of Borneo in the 1920s, it concerns an isolated English settlement/ivory trading station. Similar in nature to The King is Alive, it focuses on what happens to small isolated groups under both internal psychological pressure and external pressure from the environment around them. As The King is Alive was filmed by Dogme rules and restrictions, The Intended instead has steady camera shots (rather than shaky/handheld) and ambient music throughout. Subtle yet powerful, the film explores Conradian contexts through the lens of a female perspective. Its influence can be seen in the Australian frontier film The Proposition.
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The Name of This Film Is Dogme95
Saul Metzstein
Lars von Trier, Thomas Vinterberg
The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).
The Name of This Film Is Dogme95
The Salvation
Kristian Levring
Mads Mikkelsen, Ева Грин
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
The Salvation
The King Is Alive
Kristian Levring
Romane Bohringer, David Calder
Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.
The King Is Alive
Fear Me Not
Kristian Levring
Ulrich Thomsen, Paprika Steen
Michael needs a change in his life, so when he hears about clinical trials for a new anti-depressant, he signs up to be a guinea pig - without telling his family. Because of dangerous side effects, the trial is subsequently abandoned but Michael continues to take the pills. Having lost all control, Michael's repressed instincts resurface with a force and violence that no-one could have predicted.
Fear Me Not
Idioterne der startede Festen
Lars von Trier, Thomas Vinterberg
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
The Idiots Who Started The Party
