Todd Solondz
1959 (65 лет)As Good as It Gets
James L. Brooks
Jack Nicholson, Helen Hunt
Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
As Good as It Gets
Cinema16: American Short Films
Standish Lawder, George Lucas
CINEMA16 celebrates the short film by showcasing some of the best classic and award-winning shorts on DVD. With over three hours of films CINEMA16: AMERICAN SHORT FILMS is essential viewing for anyone with an interest in the moving image. Films include Gus Van Sant's 1982 adaptation of a William S. Burroughs short story, The Discipline Of DE, Tim Burton's early stop motion animated classic Vincent, George Lucas' USC short Freiheit, Alexander Payne's previously unreleased UCLA graduation short Carmen, Paperboys by Mike Mills, D.A. Pennebaker's Duke Ellington scored Daybreak Express, Todd Solondz's NYU short Feelings, along with Oscar Winner The Lunch Date by Adam Davidson, Stefan Nadelman's multi- award winning documentary Terminal Bar, Joe Nussbaum's cult classic George Lucas In Love and 2006 Sundance Winner The Wraith Of Cobble Hill by Adam Parrish King. Films are subtitled in French, German, Italian, Spanish and Japanese, and include commentaries from many of the directors involved.
Cinema16: American Short Films
Palindromes
Todd Solondz
Ellen Barkin, Stephen Adly Guirgis
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Palindromes
Schatt's Last Shot
Todd Solondz
Todd Solondz, Cheryl Scaccio
Solondz’s 1985 student short film “Schatt’s Last Shot” provides an ideal entry point to his unflinching universe of dark comic despair. A young Solondz stars in the 10-minute short as geeky high schooler Ezra Schatt, a neurotic, primitive headcase of the young Woody Allen variety. Buried under thick, unseemly glasses and an endlessly dazed expression, Ezra’s worst enemy is basketball. Unable to make a single basket under the brutal pressures of his vulgar gym teacher (“You’re shit, Schatt!”), Ezra also fails at both impressing the cheerleader of his dreams and realizing his aspirations of attending MIT.
Schatt's Last Shot
Married to the Mob
Jonathan Demme
Michelle Pfeiffer, Matthew Modine
Angela de Marco is fed up with her gangster husband's line of work and wants no part of the crime world. When her husband is killed for having an affair with the mistress of mob boss Tony "The Tiger" Russo, Angela and her son depart for New York City to make a fresh start. Unfortunately, Tony has set his sights upon Angela -- and so has an undercover FBI agent looking to use her to bust Tony.
Married to the Mob
Dark Horse
Todd Solondz
Jordan Gelber, Selma Blair
Abe is a man who is in his thirties and who lives with his parents. He works regretfully for his father while pursuing his hobby of collecting toys. Aware that his family doesn't think highly of him, he tries to spark a relationship with Miranda, who recently moved back home after a failed literary/academic career. Miranda agrees to marry Abe out of desperation, but things go awry.
Dark Horse
Venice 70: Future Reloaded
Franco Maresco, John Akomfrah
Bernardo Bertolucci, Haile Gerima
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Venice 70: Future Reloaded
Feelings
Todd Solondz
Todd Solondz, Jan Meredith
His first film shot with sound, Feelings is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead role of a sensitive young man who finds he can no longer endure life without his beloved. Photographed by Andy Day, the film is set to Todd Solondz's personal rendition of the song "Feelings" by Morris Albert.
Feelings
