Nahuel Viale
2021Antes
Daniel Gimelberg
Nahuel Viale, Nahuel Pérez Biscayart
Nacho was a happy 21-year-old guy, with a great family, friends and girlfriend. But a year later he's not the same guy: he lives alone and he doesn't care anymore about anyone. He's lost and desperate, tortured by what happened a year ago.
Before
Cómo Estar Muerto/Como Estar Muerto
Manuel Ferrari
Ignacio Rogers, Julián Tello
A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
(How) To Be Dead
The Rabbits' House
Valeria Selinger
Mora Iramain García, Guadalupe Docampo
Argentina, 1975. Laura is only eight years old, but she knows that to survive you have to keep quiet. She shares her days with her mother and the other activists in a house where the clandestine printing of the Evita Montonera is hidden.
The Rabbits' House
Glue
Alexis Dos Santos
Nahuel Pérez Biscayart, Nahuel Viale
A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst... A teenage story in the middle of nowhere.
Glue
El reloj
Marco Berger
Nahuel Viale, Ariel Nuñez Di Croce
Pablo offers Javier a taxi ride to his place and once there, invites him in. After watching television with his cousin, Pablo asks Javier to sleep over. Once in bed, almost naked, they get ready to go to sleep.
The Watch
Los adoptantes
Daniel Gimelberg
Diego Gentile, Rafael Spregelburd
Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.
Los adoptantes
Vidrios
Federico Luis Tachella, Ignacio Bollini
Ailín Salas, Walter Jakob
Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.
Vidrios
