Liliana Cavani
1933 (91 год)While attending film school, Cavani won a competition at RAI, Italy's national television network, and took a job there as a director of historical documentaries in 1961. Her professional career thus began making documentaries for RAI between 1961 and 1965, which included Storia del III Reich, (History of the Third Reich) (1962–1963), which chronicles the rise of the Nazi regime. It was the first historical investigation of German totalitarianism to appear on television. Other documentaries are: L'età di Stalin ("The Stalin Years"), an investigation into the Soviet leader's years; La donna nella Resistenza (1965); Philippe Pétain, processo a Vichy, winner of the Golden Lion at Venice film festival in 1965 in the documentary section. In this period she also made Il giorno della pace, a four-hour documentary on immigration south-to-north within Italy.
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. The film was a great success, but also triggered many negative reactions. It was called " heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reaction to Cavani's work.
Cavani was not well known beyond Italy until she made the 1974 film The Night Porter (Il portiere di notte), which remains the film for which she is best remembered. The plot, set in Vienna in 1957, follows an SS camp guard and a former concentration camp survivor engaging in a sadomasochistic relationship after meeting again by a chance encounter. A deeply controversial film, it starred Dirk Bogarde and Charlotte Rampling.
Cavani currently lives in Rome. Carpi, her hometown, has established the Associazione Fondo Liliana Cavani, where her films are preserved and made available for consultation.
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Manon Lescaut
Manuela Crivelli, Liliana Cavani
Maria Guleghina, José Cura
TDK presents a recording of Puccini’s heart-breaking opera from one of the best opera houses of the world featuring star tenor José Cura and remarkable soprano Maria Guleghina as the two inseparable lovers. Riccardo Muti, music director of La Scala at the time of this performance, gives full weight to the alternation of social realism and private amatory psychology, of crowds and intimacy, body and spirit. And the director of this Milan production, the famous Italian film director Liliana Cavani, provides it with a realistic setting. Every scene looks like a genre painting, from which Puccini’s psychograms emerge musically. This forms the background for the two outstanding singer actors, who take the lead roles.
Manon Lescaut
Verdi, Un Ballo in Maschera - Salvatore Licitra, Maria Guleghina, Riccardo Muti, Teatro alla Scala
Carlo Battistoni, Liliana Cavani
Salvatore Licitra, Bruno Caproni
Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.
Verdi, Un Ballo in Maschera - Salvatore Licitra, Maria Guleghina, Riccardo Muti, Teatro alla Scala
Ennio
Giuseppe Tornatore
Ennio Morricone, Wong Kar-wai
A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.
Ennio
La Traviata
Liliana Cavani
Angela Gheorghiu, Ramón Vargas
Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.
Verdi: La Traviata
Francesco d'Assisi
Liliana Cavani
Lou Castel, Marco Bellocchio
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. Starring Lou Castel, it portrays Francis of Assisi as a slightly depressed protestor and an avid, albeit mad, supporter of armed brotherhood. The ideal defender of the 1968 student movement. The film was a great success, but also triggered many negative reactions. It was called "heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reactions to Cavani's work.
Francis of Assisi
Verdi Macbeth
Andrea Bevilacqua, Liliana Cavani
Leo Nucci, Enrico Iori
Part of Tutto Verdi series - Macbeth (2006) Parma. Macbeth is one of the most multi-layered, profound and demanding roles that Verdi ever wrote for a baritone and the Italian singer Leo Nucci is arguably the most distinguished in his field. The role has repeatedly brought him lasting success and he enacts it with an intensity that only the very experienced stage personality can muster. French singer Sylvie Valayre is known for her versatile interpretations of spinto and dramatic coloratura soprano parts, especially for particularly gruelling roles like Lady Macbeth. Supported by Italian bass Enrico Iori as Banco and tenor Roberto Iuliano as Macduff, they make up a wonderful cast under the baton of Bruno Bartoletti, musical director of the Teatro Regio di Parma.
Macbeth
Marcello, una vita dolce
Annarosa Morri, Mario Canale
Marcello Mastroianni, Anouk Aimée
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Marcello, una vita dolce
Di me cosa ne sai
Valerio Jalongo
Roberto Andò, Francesca Archibugi
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
What Do You Know About Me
Dante Ferretti: Scenografo italiano
Gianfranco Giagni
Dante Ferretti, Martin Scorsese
The Documentary Dante Ferretti – Production Designer retraces the life and the career of Dante Ferretti, the famous Italian Artist and Production Designer.
Dante Ferretti: Production Designer
Fascism on a Thread: The Strange Story of Nazisploitation Cinema
Naomi Holwill
Dyanne Thorne, Rino Di Silvestro
Feature length documentary on the cult sub-genre featuring interviews with Dyanne ‘Ilsa’ Thorne, Malissa ‘Elsa’ Longo, filmmakers Sergio Garrone, Mariano Caiano, Rino Di Silvestro, Liliana Cavani, Bruno Mattei, and many more.
Fascism on a Thread: The Strange Story of Nazisploitation Cinema
Ripley's Game
Liliana Cavani
Джон Малкович, Dougray Scott
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
Ripley's Game
The Night Porter
Liliana Cavani
Dirk Bogarde, Charlotte Rampling
A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.
The Night Porter