Adèle Haenel
1989 (37 лет)Haenel began her career as a child actress, making her film debut with Les Diables (2002) at the age of 12, and quickly rose to prominence in the French entertainment industry as a teenager. She received her first César Award nomination for her performance in Water Lilies (2007), which also marked the beginning of her long professional and personal relationship with director Céline Sciamma. In 2014, Haenel received her first César Award for her supporting role in Suzanne, and in 2015 won the César Award for Best Actress for Love at First Fight. She continued to garner recognition for her performances in BPM (Beats per Minute) (2017), The Trouble with You (2018) and Portrait of a Lady on Fire (2019).
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BPM (Beats per Minute)
Robin Campillo
Nahuel Pérez Biscayart, Arnaud Valois
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
BPM (Beats per Minute)
Seances
Guy Maddin, Evan Johnson
Mathieu Amalric, Céline Bonnier
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
Seances
Retour à Reims (fragments)
Jean-Gabriel Périot
Adèle Haenel
Through the text of Didier Eribon interpreted by Adèle Haenel, Retour à Reims [Fragments] tells in archives an intimate and political story of the French working class from the beginning of the 1950s to today.
Returning to Reims (Fragments)
Les enfants de la nuit
Caroline Deruas
Yves Donval, Adèle Haenel
Spring 1944. «Some love stories seem self-evident. Perhaps they were unaware of its fatal outcome. In any case, it was inevitable.» Coming from a family of Resistance fighters, Henriette lives the inconceivable : she falls in love with Josef, a young German soldier. Marcel, her friend since childhood, secretly in love with her, discovers their romance and joins the maquis the day before the Liberation. When he will come back, he will not be alone anymore, and they will wear the armband of the FFI.
Children of the Night
Les ogres
Léa Fehner
Adèle Haenel, Marc Barbé
There's drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
Ogres
Déchaînées
Raymond Vouillamoz
Adèle Haenel, Irène Jacob
Lucy, a 19-year old law student and intern at a Swiss television network in Geneva, comes across her double in archival footage about the woman’s liberation movement in the 70’s. Her family’s resistance to talk about this time convinces Lucy that a secret lurks behind this mysterious woman, named Genevieve.
Déchaînées
Water Lilies
Céline Sciamma
Pauline Acquart, Adèle Haenel
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
Water Lilies
Love at First Fight
Thomas Cailley
Adèle Haenel, Kévin Azaïs
Arnaud, facing an uncertain future and a dearth of choices in a small French coastal town, meets and falls for the apocalyptic-minded Madeleine, who joins an army boot camp to learn military and survival skills to prepare for the upcoming environmental collapse. Intrigued and excited by Madeleine’s wild ideas, Arnaud signs up for the boot camp himself. They soon realize that the boot camp is harder than they’d imagined, but the experience nonetheless cements them together as the couple continues to explore their young love.
Love at First Fight
Une heure avec Alice
Jean-Paul Civeyrac
Adèle Haenel, Grégoire Leprince-Ringuet
Alice and Paul both study at the Sorbonne University in the Latin Quarter. After a course, Paul, who is attracted to Alice, starts talking with her. They share the same ideas about philosophy and today's philosophers but while they go on with their conversation they realize that as far as cinema is concerned they are not at all on the same wavelength
An Hour with Alice
