Mikhail Ulyanov
1927 - 2007
Дом, в котором я живу
Yakov Segel, Lev Kulidzhanov
Valentina Telegina, Nikolai Yelizarov
1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.
The House I Live In
Бег
Aleksandr Alov, Vladimir Naumov
Aleksey Batalov, Ludmila Savelyeva
The film is about a group of people who in other times wouldn't have anything in common, some of them innocent bystanders, some moral criminals. But nothing is straightforward and simple. From Russia "the run" continues to Constantinople, to Paris, back to Russia. Some of them have understood that they can't live outside Russia and go back maybe to be happy, maybe not, some go back to face sure death for their crimes, some don't go back and know that are going to miss homeland forever, some are comfortably well off (are they?) in exile. Sentimental without syrup, tragic and comical at the same time.
The Flight
Liberation: Direction of the Main Blow
Yuri Ozerov
Mikhail Ulyanov, Fritz Diez
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
Liberation: Direction of the Main Blow
Живые и мертвые
Aleksandr Stolper
Kirill Lavrov, Oleg Efremov
A Russian war correspondent is drafted into the war and finds himself in the middle of battle. When he loses his party card, however, he is treated as a deserter until he finds help from a kind man. This Soviet war feature was considerably outspoken for the time as it addressed issues such as anti-Stalinism, Siberia and the inhumanity of war. Adapting his screenplay from a book by Constantin Simonov, Alexandre Stolper was responsible for writing as well as directing.
The Alive and the Dead
The Brothers Karamazov
Ivan Pyryev
Mikhail Ulyanov, Lionella Pyryeva
Based on the novel of the same name by Fyodor Dostoevsky. The tragic story of the Karamazov family takes place in a Russian province in the late 19th century. The relations of their father and three brothers are very complicated and contradictory. One of the brothers is accused of killing his father, whom he did not commit. The brothers are unable to help him, and only a loving girl follows him to hard labour.
The Brothers Karamazov
Liberation: The Break Through
Yuri Ozerov
Fritz Diez, Nikolay Olyalin
A grandiose military film epic, which does not know analogues in world cinema: the history of the Great Patriotic War from the Battle of the Kursk Bulge to the installation of the Banner of Victory over the Reichstag - "Liberation".
Liberation: The Break Through
Позови меня в даль светлую
Stanislav Lyubshin, German Lavrov
Lidiya Fedoseyeva-Shukshina, Stanislav Lyubshin
Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.
Call Me from Afar
The Rifleman of the Voroshilov Regiment
Stanislav Govorukhin
Mikhail Ulyanov, Anna Sinyakina
A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. The case is closed. The girl's granddad tired of an endless circumlocution decides to take revenge in his own hands.
The Rifleman of the Voroshilov Regiment
The Legend of Till
Aleksandr Alov, Vladimir Naumov
Lembit Ulfsak, Natalya Belokhvostikova
Based on the novel by Charles de Coster "The Legend of Thyl Ulenspiegel and Lamme Goedzak, and their Adventures Heroical, Joyous and Glorious in the Land of Flanders and Elsewhere." First part: "The Ashes of Claes". XVI century. The freedom-loving and cheerful people of the Netherlands under the rule of the Spanish king: persecution, torture, bonfires of the Inquisition, encouraging scammers. The fearless Thyl Uhlenshpiegel and his faithful girlfriend Nele have to go through many trials. Second part: "Viva Beggars!". The people of the Netherlands, tormented by cruel royal decrees, taxes, heresy, torture and executions, began a war of liberation against Spanish rule. Many feats will be performed by the national hero Tilbert (Thyl) Ulenspiegel and his friend Lamme Gudzak before peace returns to their homeland.
The Legend of Till
Шли солдаты
Leonid Trauberg
Sergey Bondarchuk, Andrei Petrov
Октябрь 1917 года. Русские и немецкие солдаты, измученные трехлетней войной, начали брататься. Но офицерские пули расстреляли братающихся. Оставшиеся в живых — Илья, Матвей, медсестра Ольга и немецкий солдат Якоб — поклялись перед павшими солдатами дойти до Петербурга и добиться мира для всех...
Шли солдаты
Liberation: The Fire Bulge
Yuri Ozerov
Mikhail Ulyanov, Vasiliy Shukshin
The "Fiery Arc" tells of a grandiose battle on the Kursk Bulge in the summer of 1943. Here was the largest tank battle in the history of World War II. Along with the personal fate of the heroes, the film shows battle scenes, the activities of headquarters and intelligence, those who worked at the front and in the rear.
Liberation: The Fire Bulge
Without Witness
Nikita Mikhalkov
Irina Kupchenko, Mikhail Ulyanov
In visiting his ex-wife’s apartment a man learns that she plans to remarry a scientist named Valentin Shlyakhov. In his past, the man wrote a scathing letter about Shlyakhov which greatly impacted his career. Fearing that this information will come to light when his ex-wife marries Shlyakhov, the man insists that the wedding be called off. What follows is an intimate portrayal of the relationship between a man and a woman (who are never named), whose history as husband and wife plays out during a heated conversation.
Without Witness
Posledniy pobeg
Leonid Menaker
Mikhail Ulyanov, Aleksey Serebryakov
The hero of the film Scrubs – a war veteran who works in a school for troubled teens. On the day of release from the special school his favorite pupil Victor waited in vain for his mother – she did not come for her son, and went out to meet the swimming man, Vitina stepfather. Then the teacher took home Vitya – Aleksey Ivanovich. But when Victor saw the house merry company, his resentment prevailed, and the stubborn kid runs away from the bush, and the caretaker does not do anything but go in search of the fugitive
Posledniy pobeg
