Rosa Álvarez
1950 (75 лет)
Divinas palabras
José Luis García Sánchez
Ana Belén, Imanol Arias
A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.
Divine Words
Años después
Laura Gárdos Velo
Angélica María, Celso Bugallo
At 35, Andrés leads a quiet life; he lives in Mexico City and has a girlfriend he plans to marry. His only relative is his mother Clara, who came to Mexico fleeing from the Spanish dictatorship years ago. One day, by chance, Andrés finds out he has a grandfather who lives in a village in Galicia. This news causes such an emotional response in him that he decides to leave everything and travel to Spain to reconstruct his own past and meet Justino, his grandfather.
Years After
A praia dos afogados
Gerardo Herrero
Carmelo Gómez, Antonio Garrido
One morning, the body of a sailor is found lying on the beach, washed in by the tide.. With no witnesses or any sign of the dead man’s boat, Inspector Leo Caldas begins immersing himself in the town’s seafaring atmosphere as he endeavours to shed light on the crime. He finds himself among men and women who prefer not to reveal their suspicions to him. But a sudden discovery sets him off in an unexpected direction.
Death of a Fisherman
Heroína
Gerardo Herrero
Adriana Ozores, Carlos Blanco Vila
In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.
Heroína
La novia de medianoche
Antonio F. Simón
Francisco Rabal, Nancho Novo
A wealthy woman twice widowed, lives with his family and two servants in a shady country house in Galicia in the late nineteenth century isolated from the world to hide a serious incident occurred in the family ten years earlier. This event is subject to certain blackmail the family of which will be released by the arrival at the mansion of two strangers who triggered the investigation of the facts and a change in the future family life.
La novia de medianoche
Lobos sucios
Simón Casal
Manuela Vellés, Isak Férriz
Galicia, Spain, during the Second World War The life of Manuela, a mysterious miner who was branded a witch, changes with the arrival of an Allied commando, in charge of sabotaging the production of tungsten, a vital mineral for the continuity of the war effort of Nazi Germany.
Dirty Wolves
32 Malasana Street
Albert Pintó
Begona Vargas, Iván Marcos
Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.
32 Malasana Street
Días de boda
Juan Pinzás
Monti Castiñeiras, Comba Campoy
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.
Días de boda
Trece campanadas
Xavier Villaverde
Juan Diego Botto, Luis Tosar
Jacobo is a young sculptor that returns to native city, Santiago of Compostela, to see his mother, locked up a psychiatric hospital for to kill to her husband, when he believed she dead years ago. To their arrival, visions of Mateo, his dead father eighteen years ago, begin to persecute to him, since his father died by shot gun, peculiarly, when thirteen peals sounded in the cathedral, fact what obsesses to Jacobo. After watching several times, Mateo convinces his son to make the work for the cathedral that his father couldn't finish in life, but what begins as a simple work becomes a madness spiral when Jacobo discovers the true intentions of the ghost of his father: to kill to his son to usurp his body to finish the statue, and after to return to the life.
13 Curses
Martes de carnaval
Pedro Carvajal, Fernando Bauluz
Fernando Guillén, Miguel Molina
Writer in need of money returns to his hometown to try to write a new book. But his addiction to alcohol causes strange dreams that take him 50 years back to a Mardi Gras tuesday, when he was a teenager.
Martes de carnaval
