Alban Ukaj
1980 (45 лет)Quo vadis, Aida?
Jasmila Žbanić
Jasna Đuričić, Izudin Bajrović
Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?
Quo Vadis, Aida?
Snovi
Rešad Kulenović
Alban Ukaj, Zana Marjanović
Suddenly a moment from the past, a shard of memory can surge, overwhelming the senses. Crystal snowflakes land precariously on pale birch trees, civilians shudder from the cold, soldiers in heavy jackets give orders.
Dreams
Virgjëresha Shqiptare
Bujar Alimani
Rina Krasniqi, Shkurte Sylejmani
Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.
The Albanian Virgin
Lorna's Silence
Jean-Pierre Dardenne, Luc Dardenne
Arta Dobroshi, Jérémie Renier
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
Lorna's Silence
Full Moon
Nermin Hamzagić
Alban Ukaj, Ermin Sijamija
A police officer Hamza has to work that night even though his wife has gone into labour, because the police are short-staffed. To make everything worse, it seems that people showing up at the station have decided to prove the old belief about the mysterious powers of the full moon and its influence on human behaviour. In the course of that one night, representatives of all the absurdity and tragedy of life in Bosnia and Herzegovina parade through the station and somehow help Hamza get ready for a new life.
Full Moon
On the Path
Jasmila Žbanić
Zrinka Cvitešić, Leon Lučev
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
On the Path
The Marriage
Blerta Zeqiri
Alban Ukaj, Adriana Matoshi
Bekim and Anita are getting married, but Anita is unaware that Bekim is still in love with his best friend Nol. The Marriage charts the emotional predicament of the man who has strong feelings for two persons. There is great pressure to marry and only mild support for LGBTQ rights in Kosovan society, so Zeqiri’s film, which unashamedly puts same-sex and heterosexual passion on the same plane, is a forceful step in the right direction, as well as a dynamic portrait of romance and deception in the shadow of war.
The Marriage
Bota
Iris Elezi, Thomas Logoreci
Artur Gorishti, Alban Ukaj
Bota (Albanian for “the world”) is a cafe situated on the edge of a vast area of marshland in a remote part of Albania, and it is here that the lives of the protagonists intersect in this compelling debut by Iris Elezi and Thomas Logoreci. The directors skilfully exploit the genius loci of the desolate landscape and, aided by a period score and beguiling long shots, they flawlessly evoke the atmosphere of a place where the past still encroaches upon people’s lives.
Bota
J.A.C.E.
Menelaos Karamaghiolis
Alban Ukaj, Stefania Goulioti
Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging
J.A.C.E.
Brod ludaka
Matthias Lebeer
Irma Alimanović, Hasan Zahirović
Sarajevo in 1992. Vedran, a once famous musician, tries to shelter his family from the madness of war. He hides them in his old house and goes out of his way to give them a normal day to day life. For a while he manages to keep the war at a distance, but when his daughter gets pregnant Vedran wants to give her a proper wedding in the old town hall
The Ship of Fools
Tabija
Igor Drljaca
Pavle Čemerikić, Jasmin Geljo
What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.
The White Fortress
