Cristina Comencini
1956 (70 лет)
Di me cosa ne sai
Valerio Jalongo
Roberto Andò, Francesca Archibugi
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
What Do You Know About Me
Don't Tell
Cristina Comencini
Giovanna Mezzogiorno, Alessio Boni
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by step she remembers her childhood spent within a severe middle-class family. But a big secret is hidden within her heart. Sabina wants to contact again her brother, a University teacher in the US, to try to understand what is happened in their past. What is the secret? She is determined to bring clarity and serenity in her life. She finally manages to free herself from her "beast in the heart".
Don't Tell
Les Français vus par
David Lynch, Luigi Comencini
Eve Ruggieri, Jean Clemente
In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.
The French as Seen by…
Cinecittà Babilonia
Marco Spagnoli
Vinicio Marchioni, Martina Querini
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
Cinecittà Babilonia: Sex, Drugs and Black Shirts
La fine è nota
Cristina Comencini
Fabrizio Bentivoglio, Carlo Cecchi
A young lawyer returns home and discovers that a man has committed suicide jumping through a window of his house. His wife, Maria, says that she let the unknown man enter because he said the lawyer was the only one who could help him. Bernardo start to investigate about the man and about the reasons of his suicide.
La fine è nota
Matrimoni
Cristina Comencini
Diego Abatantuono, Francesca Neri
Matrimony is a drama about the complexity of relationships. On Christmas Eve, perfect housewife Giulia Francesca Neri is worried about a family heirloom which has cracked and rushes to the junk shop to get it repaired -- little anticipating her perfect marriage is about to fall to pieces as well. While everyone in Bologna is making last minute preparations, Giulia runs into her childhood sweetheart, Fausto Paolo Sassanelli. The meeting rekindles old feelings and Giulia realizes that to create the perfect marriage which everyone adores, she has sacrificed her own personality. While waiting to meet her parents at the station, she climbs into a departing train and disappears. The family slowly disintegrates, as if she were the binding element.
Marriages
Something New
Cristina Comencini
Paola Cortellesi, Micaela Ramazzotti
Lucia and Maria are two best friends, who have known each other from the beginning of their life, but have very different tastes and behaviors. Lucia is done with men, Maria, on the contrary, cannot be without one. One night, the perfect man shows up in Maria's bed: handsome, sensible, mature and passionate.The next morning brings up misunderstandings and lies which make the two friends split up and take a break for themselves. Maybe that young man met by chance is really the one every woman is looking for, because with his simple theories he manages to paint the perfect picture of the two women's lives.
Something New
Bianco e nero
Cristina Comencini
Fabio Volo, Ambra Angiolini
Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.
Black and White
Tornare
Cristina Comencini
Giovanna Mezzogiorno, Vincenzo Amato
Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.
Tornare
I divertimenti della vita privata
Cristina Comencini
Delphine Forest, Christophe Malavoy
Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.
The Amusements of Private Life
