Peter Kern
1949 - 2015“When I yell at you, please do not be immediately hurt. If I insult you, take it as proof of love. Remember, I'm Austrian, insane, hysterical, hypocritical and undemocratic.”
Das Totenreich
Karin Brandauer
Vadim Glowna, Irm Hermann
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
Das Totenreich
Welt am Draht
Rainer Werner Fassbinder
Klaus Löwitsch, Barbara Valentin
Институт кибернетики создал революционный суперкомпьютер — Симулакрон, с помощью которого можно моделировать целые миры и населять их искусственными людьми. Изначально Симулакрон должен был использоваться в благих общественных целях, но глава Института Сискинс начинает осуществлять свои корыстные планы. Помешать Сискинсу, а также разгадать ряд тайн и загадок вокруг суперкомпьютера должен гений компьютерных технологии Фред Штиллер…
Welt am Draht
Daniel Schmid - Le chat qui pense
Pascal Hofmann, Benny Jaberg
Daniel Schmid, Ingrid Caven
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Daniel Schmid: Le Chat Qui Pense
Fox and His Friends
Rainer Werner Fassbinder
Rainer Werner Fassbinder, Peter Chatel
Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.
Fox and His Friends
Hitler: A Film from Germany
Hans-Jürgen Syberberg
Harry Baer, Heinz Schubert
This inventive, exhaustive seven-hour film looks at the rise, reign and demise of Adolf Hitler. German director Hans Jürgen Syberberg, who was a child during World War II, doesn't try to recreate history to the letter. Instead, he places his actors -- many of whom play several roles -- on a stage and has them reenact events based on and inspired by Hitler's life. The action combines traditional narration and historical characters, but also idiosyncratic tweaks, like the use of puppets.
Our Hitler: A Film from Germany
Crazy Boys-Eine Handvoll Vergnügen
Peter Kern
Udo Schenk, Marianne Sägebrecht
A decadent Cabaret in Hamburg (Germany) is near closing down. The owner decides to make a last effort to save the place: produce a male striptease show. Many candidates answer to his newspaper ad. No matter how weird were the rehearsals, the owner would have no regrets.
Crazy Boys
Die Wildente
Hans W. Geißendörfer
Bruno Ganz, Peter Kern
Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the "happiness of truth". Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house. When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig's birthday, she doesn't shoot the duck, but shoots herself instead.
Die Wildente
Schlingensief – In das Schweigen hineinschreien
Bettina Böhler
Christoph Schlingensief, Tilda Swinton
Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.
Schlingensief – A Voice That Shook the Silence
Mondo Lux - Die Bilderwelten des Werner Schroeter
Elfi Mikesch
Werner Schroeter, Rosa von Praunheim
Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.
Mondo Lux: The Visual Worlds of Werner Schroeter
Ludwig: Requiem for a Virgin King
Hans-Jürgen Syberberg
Harry Baer, Ingrid Caven
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.
Ludwig – Requiem for a Virgin King
Karl May
Hans-Jürgen Syberberg
Helmut Käutner, Kristina Söderbaum
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.
Karl May