Silvio Soldini
1958 (66 лет)
La fabbrica sospesa
Silvio Soldini
Blue-collar workers, executives, and other people at the Pirelli Bicocca plant talk about the upcoming shutdown of the factory. It's the end for a piece of history of Italian industry and also for a place of memory of workers' struggle: the movie documents the different reactions and scales of awareness determined by class belonging to the functions held in the factory by the interviewees.
La fabbrica sospesa
Il fiume ha sempre ragione
Silvio Soldini
Alberto Casiraghy, Alberto Casiraghy
Alberto Casiraghy and Josef Weiss are true bibliophile artists. One in Osnago, the other in Mendrisio, they have been dedicating themselves for years to valuable editorial and typographical activities, still printing with mobile characters, preserving the memory of a perfect ingenuity made of manual skills and technique, but also of inventiveness and poetry. Silvio Soldini gives us a realistic and poetical portrait of these two artists-artisans, who chose one of the oldest professions in a modern world, finding great success and approval.
Il fiume ha sempre ragione
Bread and Tulips
Silvio Soldini
Licia Maglietta, Bruno Ganz
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
Bread and Tulips
Un'anima divisa in due
Silvio Soldini
Fabrizio Bentivoglio, Felice Andreasi
Store security guard Pietro spends his days catching shoplifters, his weekends visiting his children who are in custody of his ex-wife, and his nights thinking about new ways to flirt with the store's makeup consultant. His malaise psychosomatically manifests itself in nosebleeds, outbursts of anger, visions, etc. One day, he sees a young Gypsy girl steal something from the store and lets it slide: he can't explain why, but she caught his eye. Pietro and Pabe – that's her name – warily start to hang out, knowing each other more and more, until something begins to blossom in them. Could their shared dream for a new, more compassionate life finally be at their fingertips?
A Soul Split in Two
L'aria serena dell'ovest
Silvio Soldini
Fabrizio Bentivoglio, Antonella Fattori
Set in Milan in the summer of 1989 against the backdrop of the fall of the Berlin Wall, the film follows four frustrated individuals whose lives intertwine because of the loss of a planner.
The Peaceful Air of the West
Days and Clouds
Silvio Soldini
Margherita Buy, Antonio Albanese
Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.
Days and Clouds
Brucio nel vento
Silvio Soldini
Ivan Franěk, Barbora Lukešová
For ten years, immigrant Tobias has worked at a Swiss clock factory and, in the relentless ticking, he saw life go by without much expectation. One day, he sees Caroline, a former schoolmate from back in Eastern Europe, and falls in love with her, but she's married and has a daughter.
Brucio nel vento
Agatha and the Storm
Silvio Soldini
Licia Maglietta, Giuseppe Battiston
The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.
Agatha and the Storm
Interdependence
Bettina Oberli, Salomé Lamas
Thor Kristjansson, Hera Hilmar
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
Interdependence Film 2019
3/19
Silvio Soldini
Kasia Smutniak, Francesco Colella
Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.
3/19
