Brigitte Roüan
1946 (78 лет)Rouan was born into a French naval family in Toulon in 1946. She was orphaned at age six and spent her childhood in Algeria and Senegal. At age 12, she left for convent school in Paris.
Her acting career began at age 21, on the stage. Her performance lead the way to small film roles for directors including Alain Resnais, Jacques Rivette, and Bertrand Tavernier.
Rouan became a director in her own right when she helmed a short film titled Grosse. It won a César Award in 1986. She would become a feature film director with Overseas (1990), which won the Critics' Week award at the 1990 Cannes Film Festival. She co-starred in the film with Marianne Basler and Nicole Garcia to portray sisters in colonial North Africa during the 1950s.
The now actor-director would continue in roles, including one in Olivier, Olivier (1991) for Polish director Agnieszka Holland.
Rouan's 1997 film Post Coitum, Animal Triste garnered attention for its depiction of an affair between a middle-aged woman (played by Rouan herself) and a younger man. The film was a success in its native country and received strong notices in America, where it screened at the New York Film Festival before playing to arthouse crowds. It was also screened in the Un Certain Regard section at the 1997 Cannes Film Festival.
In 1998, she was a member of the jury at the 48th Berlin International Film Festival.
Source: Article "Brigitte Roüan" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Cinéast(e)s
Julie Gayet, Mathieu Busson
Mona Achache, Lisa Azuelos
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Cinéast(e)s
My American Uncle
Alain Resnais
Gérard Depardieu, Nicole Garcia
Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean is a controversial career-climbing writer/politician at a crossroads in life.
My American Uncle
Olivier, Olivier
Agnieszka Holland
Франсуа Клузе, Grégoire Colin
Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.
Olivier, Olivier
Love Songs
Christophe Honoré
Louis Garrel, Ludivine Sagnier
Ismael and Julie, who in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie's sister and a young college student – one of which may offer him redemption.
Love Songs
Guy
Alex Lutz
Alex Lutz, Tom Dingler
Gauthier, a young journalist, learns from his mother that he is the illegitimate son of Guy Jamet, a popular French singer whose heyday stretched unevenly from the 1960’s to the nineties. Guy is currently promoting a new album of old material and heads on tour. Armed with a camera, Gauthier decides to follow Guy, recording his daily routine and his concerts to create a documentary portrait.
Guy
Just to Be Sure
Carine Tardieu
François Damiens, Cécile de France
Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.
Just to Be Sure
Love at First Fight
Thomas Cailley
Adèle Haenel, Kévin Azaïs
Arnaud, facing an uncertain future and a dearth of choices in a small French coastal town, meets and falls for the apocalyptic-minded Madeleine, who joins an army boot camp to learn military and survival skills to prepare for the upcoming environmental collapse. Intrigued and excited by Madeleine’s wild ideas, Arnaud signs up for the boot camp himself. They soon realize that the boot camp is harder than they’d imagined, but the experience nonetheless cements them together as the couple continues to explore their young love.
Love at First Fight
Les Agneaux
Marcel Schüpbach
Richard Berry, Brigitte Roüan
In a village of the French Juras, Daniel, 15, and Marie, 14, live in the shadow of their brutal, domineering father, who can only express his love through violence. When their mother dies, the two inseparable children flee into the forest pursued by their father...
The Lambs
Les Mois d'avril sont meurtriers
Laurent Heynemann
Jean-Pierre Marielle, Jean-Pierre Bisson
When an informer is executed, his dismembered remains found in several bin bags, Fred, a resilient police inspector, leads the murder investigation with his customary dogged determination.
The Murderous Months of April