Jacques Gamblin
1957 (68 лет)Home
Yann Arthus-Bertrand
Glenn Close, Yann Arthus-Bertrand
In 200,000 years of existence, man has upset the balance on which the Earth had lived for 4 billion years. Global warming, resource depletion, species extinction: man has endangered his own home. But it is too late to be pessimistic: humanity has barely ten years left to reverse the trend, become aware of its excessive exploitation of the Earth's riches, and change its consumption pattern.
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Les Miserables
Claude Lelouch
Jean-Paul Belmondo, Michel Boujenah
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Les Miserables
The Children of the Marshland
Jean Becker
Jacques Villeret, Jacques Gamblin
The film is set in Marais, a quiet region along the banks of Loire river in 1918. Riton is afflicted with a bad-tempered wife and three unruly children. Garris lives alone with his recollections of World War I trenches. Their daily life consists of seasonal work and visits from their two pals: Tane, the local train conductor and Amédée, a dreamer and voracious reader of classics.
The Children of the Marshland
Henri-Georges Clouzot's Inferno
Serge Bromberg, Ruxandra Medrea
Romy Schneider, Henri-Georges Clouzot
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
Henri-Georges Clouzot's Inferno
The Names of Love
Michel Leclerc
Jacques Gamblin, Sara Forestier
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.
The Names of Love
À la vie, à la mort !
Robert Guédiguian
Ariane Ascaride, Jacques Boudet
À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.
'Till Death Do Us Part
Les oubliées
Hervé Hadmar
Bruno Le Guern, Jacques Gamblin
Шесть лет «упрямый полицейский» пытается расследовать нераскрытое дело - исчезновение шести молодых девушек. Он убежден в том, что эта череда трагических событий - дело рук одного маньяка. Все эти годы - никаких версий, никаких улик, никаких следов…, пока вдруг не поступило заявление в полицию об исчезновении еще одной молодой девушки. На сей раз «хитрый убийца» оставил кое-какой след, сделав свою первую ошибку… Гонка началась! Кто победит?
Les oubliées
Le grain de sable dans la machine
Alain de Halleux
Jacques Gamblin
A chronicle of a year of health crisis. A film that travels to the four corners of the planet to question us about our model of society. The grain of sand is Covid. The gear is the system in which we live. The subject: how could a small piece of genetic code stop our system?
A Grain of Sand in the Gear
D'un film à l'autre
Claude Lelouch
Anouk Aimée, Richard Anconina
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
D'un film à l'autre
