Juraj Jakubisko
1938 (88 лет)The Millennial Bee
Juraj Jakubisko
Jozef Kroner, Štefan Kvietik
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
The Millennial Bee
Sitting on a Branch, Enjoying Myself
Juraj Jakubisko
Bolek Polívka, Ondřej Pavelka
Pepe and Prengel, returning from war, meet Ester and both fall in love with the girl and live together in a deserted house. Fanatic communist, Zelmira, wants to turn their world upside-down.
Sitting on a Branch, Enjoying Myself
The Feather Fairy
Juraj Jakubisko
Giulietta Masina, Tobias Hoesl
A fairy-tale about an old lady who takes care of snow and Jakub who does not fear death. It reflects the idea of people's longing for happiness, love and understanding, their effort to overcome troubles and win over death. It criticizes greed and evil desires.
The Feather Fairy
CzechMate: In Search of Jiří Menzel
Shivendra Singh Dungarpur
Jiří Menzel, Antonín Máša
An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.
CzechMate: In Search of Jiří Menzel
Pehavý Max a strašidlá
Juraj Jakubisko
Martin Hrebeň, Gerhard Karzel
A parody of Frankensteinian stories. It is a story of a little boy, an orphan who arrives at the Castle of Count Frankenstein - a world inhabited by mysterious and sometimes a bit ridiculous scary creatures. Although each one of them is different, they all share one thing: they feel lonely and they are desperate for a little love and affection.
Freckled Max and the Spooks
Build a House, Plant a Tree
Juraj Jakubisko
Jana Březinová, Ivan Drozdy
Juraj Jakubisko's first feature film after a forced nine-year-long break is a story about an unconventional man, Jozef Matúš. He arrives to a small village in eastern Slovakia to settle down and start a family. He is ready to subordinate everything to his goal. It all starts with stealing building material and ends with him disregarding those close to him to a point where his ambitions are turning against him. Build a House, Plant a Tree is a viewer-friendly film with a plot resembling a western, including several attractive action sequences.
Build a House, Plant a Tree
An Ambiguous Report About the End of the World
Juraj Jakubisko
Deana Horváthová, Milan Bahúl
Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.
An Ambiguous Report About the End of the World
Zbehovia a pútnici
Juraj Jakubisko
Ferencz Gejza, Mikuláš Ladižinský
An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.
The Deserter and the Nomads
Kristove roky
Juraj Jakubisko
Jiří Sýkora, Jana Stehnová
Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.
The Prime of Life
Lepšie byť bohatý a zdravý ako chudobný a chorý
Juraj Jakubisko
Deana Horváthová, Dagmar Veškrnová-Havlová
A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.
It's Better to Be Healthy and Wealthy than Poor and Sick
See You in Hell, Friends
Juraj Jakubisko
Míla Beran, Nino Besozzi
As a car full of an assortment of characters rolls down an embankment and bursts into flames, the old driver says "See You in Hell, Friends." The relations between the characters are shown in flashbacks. The pretty Rita and her fiancee Petras meet the old colonel, and come to live in his farmhouse. Rita marries the colonel as well as her fiancee, and has a daughter Christine. The colonel's supposed father shows up, and also makes amorous advances on Rita. They all live blissfully together until two holy women with axes arrive. The women start chopping down trees to build an ark. Rita starts having nightmares and Christine is crucified.
See You in Hell, Friends
Bathory: Countess of Blood
Juraj Jakubisko
Anna Friel, Karel Roden
Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to men’s aspirations for power and wealth.
Bathory: Countess of Blood
