Albert Lamorisse
1922 - 1970He first came into prominence - just after Bim - for directing and producing White Mane (1953), an award winning short film that tells a fable of how a young boy befriends an untamable wild white stallion in the marshes of Camargue (the Petite Camargue).
His best known work is the short film The Red Balloon (1956), which earned him the Palme d'Or Grand Prize at the Cannes Film Festival, and an Oscar for writing the best original screenplay in 1956.
Lamorisse also wrote, directed and produced the well-regarded films Stowaway in the Sky (1960) and Circus Angel, as well as the documentaries Versailles and Paris Jamais Vu. In addition to films, he created the popular strategy board game Risk in 1957.
Lamorisse and his wife had three children: Pascal, a son, and two daughters named Sabine and Fanny. Pascal and Sabine were featured in The Red Balloon. Albert Lamorisse died in a helicopter crash while filming the documentary Le Vent des amoureux (The Lovers' Wind), during a helicopter-tour of Iran in 1970. His son and his widow completed the film, based on his production notes, and released the film eight years later, in 1978. It was nominated for a posthumous Oscar for best documentary.
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Le vent des amoureux
Albert Lamorisse
Manuchehr Anvar
A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.
The Lovers' Wind
Crin blanc: Le cheval sauvage
Albert Lamorisse
Alain Emery, Laurent Roche
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
White Mane
Circus Angel
Albert Lamorisse
Philippe Avron
Philippe Avron plays a bumbling burglar whose crime career is a textbook case of failure. One evening, Avron comes upon an abandoned nightgown. Upon donning the garment, he feels he has been transformed into an angel. Avron then joins a strange circus, whence he hopes to dispense goodwill to the other misfits of the world. As with the other works of director Albert Lamorisse (The Red Balloon) Lamorisse, it is virtually impossible to determine where reality leaves off and fantasy takes over in Circus Angel, a fact that was instrumental in the film's winning a "Best Special Effects" award at the Cannes Film Festival.
Circus Angel
Bim
Albert Lamorisse
Jacques Prévert
An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.
Bim
Le voyage en ballon
Albert Lamorisse
Maurice Baquet, Pascal Lamorisse
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Stowaway in the Sky
Mon père était un ballon rouge: conte de la vie d'Albert Lamorisse
Chloé Scialom
Pascal Lamorisse, Lysa Lamorisse
Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.
My Father Was a Red Balloon: Albert Lamorisse's Life Story