Conor McMahon
2021Ghost Gaff
Conor McMahon
The ghostly occupants of an old house are forced to make serious adjustments when a couple of modern-age slackers move in as tenants. Smoking, drinking, music, and loud parties ensue, and the spectral parents can only look on as their spirit daughters join in the fun.
Ghost Gaff
The Disturbed
Conor McMahon
Carla McGlynn, Clyde Mowlds
Clyde and Jed are two typical best buddies. They hang out, talk movies, pig out on junk food and then entertain their other common hobby: terrorizing and killing young girls on camera. Their latest victim, Sarah, is totally unaware of what exactly is going on when the two men take her from the trunk of their car and drag her to their bachelor pad. The murderers plan out every detail of the film in front of Sarah, terrifying her and leaving her with only one goal: escape. In her darkest hour, with no chance of survival at hand, a glimmer of hope arrives in the form of a spirit who has something much more wicked planned for these twisted friends.
The Disturbed
Stitches
Conor McMahon
Ross Noble, Tommy Knight
The clumsy and unfunny clown Richard "Stitches" Grindle entertains at the 10th birthday party of little Tom, but the boy and his friends play a prank with Stitches, tying his shoelaces. Stitches slips, falls and dies. Six years later, Tom gives a birthday party for his friends at home, but Stitches revives to haunt the teenagers and revenge his death.
Stitches
Let the Wrong One In
Conor McMahon
Karl Rice, Eoin Duffy
16 year old Matt is a little too nice for his own good, and when he discovers that his older, estranged brother Deco has turned into a vampire, he's faced with a dilemma: will he risk his own life to help his sibling, with blood being thicker than water; or will he stake him before he spreads the infection further?
Let the Wrong One In
Dublin 26.06.08: A Film in 4 Days
David Chandler, Derek O'Connor
In a rare and potentially fatal feat of cinematic daring, "Dublin 26.06.08" was shot entirely between 12.01am and 11.59pm on Thursday June 26th 2008. This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the bounds of the encircling M50 motorway) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained and shone upon, grew bright and then darkened again.
Dublin 26.06.08: A Film in 4 Days