Manuel Martín Cuenca
1964 (60 лет)Cuatro puntos cardinales
Natalia Díaz, Manuel Martín Cuenca
It tells the story of a long journey: one that makes the immigrant from leaving his country of origin until it reaches its goal, geographical and personal. There are many faces of this person coming from outside, leaving his country abroad for an uncertain and unknown. The reasons are different, too. The course, however, is very similar ...
Cuatro puntos cardinales
The Weakness of the Bolshevik
Manuel Martín Cuenca
Luis Tosar, María Valverde
After getting into a minor traffic accident, Pablo attempts to make light of the situation by asking the driver of the other car, Sonsoles, out on a date. When she refuses and instead files an injury report, Pablo snaps and begins stalking her. He soon discovers that Sonsoles has a beautiful teenage sister, Maria, with whom Pablo is immediately infatuated -- a lust that soon turns dark. Can Pablo control his obsession, or will it consume him?
The Weakness of the Bolshevik
Malas temporadas
Manuel Martín Cuenca
Javier Cámara, Nathalie Poza
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn't sure how to convince the boy that he's making a crucial mistake. Ana's client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana's dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
Hard Times
La hija
Manuel Martín Cuenca
Javier Gutiérrez, Patricia López
Irene is a fifteen-year-old who lives in a center for juvenile offenders. She just got pregnant and is determined to turn her life around with the help of Javier, an educator at the center. Javier offers her to secretly come live with him and his wife Adela in the house they have in a remote and rugged spot in the mountains so she can hide and comfortably carry out her pregnancy. The only condition is that in exchange, she agrees to give them the baby she is carrying in her womb. This feeble pact will be put in jeopardy when Irene starts to feel like the life growing inside her belongs to her.
The Daughter
La mitad de Óscar
Manuel Martín Cuenca
Eva Almaya, Antonio de la Torre
A reunion with his family provides a clue into the cause of one man's lonely life in this drama from filmmaker Manuel Martin Cuenca. Oscar lives in a barren section of Almeria, Spain, where he works as a guard at a salt mine. Oscar's days are governed by a monotonous routine: he goes to work, has lunch with fellow guard Miguel, finishes work, visits his dying grandfather at a hospice, and then goes home. While he sometimes spends his evenings with a woman, it's clear their relationship is not a close one. One day, Oscar gets word that grandfather has been transferred to a hospital, and his sister Maria, who now lives in Paris, comes to Almeria to pay the old man a visit. Maria, who is expecting a baby, is accompanied by her boyfriend Jean , who tries to keep a distance between the two siblings. It becomes clear that Oscar and Maria share an ugly secret that she wants to keep hidden at all costs, leading to an grim tension that grows between her and her brother.
Half of Oscar
