Lily Chakravarty
1941 (84 года)Lily Chakraborty was born on August 8, 1941 in Dhaka and her Father's name was Kesab Chandra Chakraborty and Mother was Dipti Chakraborty.Her debut film was as a supporting actress in the film " Bhanu Pelo Lottery' in 1958.She then used to appear continuously in Bengali films like 'Adwitiya,Fuleswari,Mukhjay Paribar,Janani' etc. In 1973 Gulzar directed a sensitive subject 'Achanak' which told the story of an Army Officer who was very handsome, smart and home loving person eagerly returning home after the 1971 war to see his beloved wife.He was shocked to find that his wife was in love with another person.Vinod Khanna was the hero as the Army Officer and Lily Chakraborty was the heroine of this film.Iftekhar acted as a Police Officer and Farida Jalal as a nurse. In 1975 she acted in another film of 'Gulzar' named 'Mausam' which was a super hit film.Sanjeev Kumar, Sharmila Tagore Om Shiv puri etc acted. She acted along with Mallika Sarabhai in 'Mutti Bhar Chawal(75) directed by Surendra Shailaj. In the Super hit film 'Chupke Chupke' in which Dharmendra and Sharmila Tagore were the main pair Lily Chakraborty portrayed the character 'Lata Kumar Srivastav'.Hrishikesh Mukherjee was the director. In another famous film of Hrishikesh Mukherjee in 1977 'Alaap' she acted as one of the heroine as 'Geeta. A. Prasad, wife of Amitabh Bachchan's character 'Alok Prasad'. In 1989 she acted in 'Ek Din Achanak' which was directed by Mrinal Sen in which Shabana Azmi was the heroine. In 1976 she acted in the Satyajit Ray's Bengali film 'Jana Aranya' and later in another Satyajit Ray film 'Shakha Proshaka'. In 1970 she was the heroine of Malayalam film 'Priya' which was directed by Madhu.It was the debut venture of Madhu as a director.Madhu acted as the hero of this movie which was adopted from the novel of C.Radhakrishnan. In 2009 she has acted in the Assamese film 'Basundhara' which got National Award for Best feature film in Assamese.It handled the theme of man-elephant conflicts faced by forest range inhabitants.Director'Producer was Hiren Bora.
জনঅরণ্য
Satyajit Ray
Pradip Mukherjee, Satya Bannerjee
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
The Middleman
Chupke Chupke
Hrishikesh Mukherjee
Dharmendra, Sharmila Tagore
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
Chupke Chupke
Unsaid
Arjun Dutta
Anubhav Kanjilal, Arpita Chatterjee
Abyakto is a poignant tale of a mother and her son, Indra. The film captures a series of unexplained and unusual events which turn Indra into a man he never thought he would become. These events unfold through the film’s three most integral characters: Indra’s mother, Saathi his father, Kaushik his father’s friend and his favourite uncle Rudra. The film travels through various time lapses and captures the stirring and unexplainable situations and the intricacies and complexities of various relationships.
Unsaid
Herbert
Suman Mukhopadhyay
Subhasish Mukherjee, Lily Chakravarty
Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.
Herbert
শাখা প্রশাখা
Satyajit Ray
Ajit Banerjee, Soumitra Chatterjee
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
The Branches of the Tree
সাঁঝবাতি
Leena Gangopadhyay, Saibal Banerjee
Lily Chakravarty, Soumitra Chatterjee
Sanjhbati is the story of Sulekha, the lonely elderly woman facing difficulties with her loneliness. Director Leena Gangopadhyay has led us through various events of Sulekha's life involving her two caretakers up to her alleged murder.
Sanjhbati
Quest for the Pitcher of Nectar
Dilip Roy
Aparna Sen, Subhendu Chatterjee
The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)
Quest for the Pitcher of Nectar
Uttoran
Sandip Ray
Lily Chakravarty, Soumitra Chatterjee
Sen Gupta, a doctor who only treats upper-class patients, is forced to confront his own moral and medical beliefs as he discovers rural India during an unexpected stop at a village. He finds a breathless man lying on the side of the road. With little sympathy, the doctor sends him back to his own village for treatment. When Dr. Gupta discovers that the villages wants a witch doctor to treat the man, he attends the exorcism and is shocked. A transformation of the cold city man then follows.
The Broken Journey
Posto
Nandita Roy, Shiboprosad Mukherjee
Arghya Basu Roy, Jisshu Sengupta
This film to be a family drama based on the theme of parenting. The film revolves around the upbringing of a young boy by his grandparents and his working parents and also deals with the legal fight over parenting as the plot unfolds. His grandpa wins.
Posto
Bhanu Goenda Jahar Assistant
Purnendu Roy Choudhury
Bhanu Bannerjee, Jahar Roy
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.
Bhanu Goenda Jahar Assistant
Sabuj Dwiper Raja
Tapan Sinha
Samit Bhanja, Lily Chakravarty
This movie is based on a novel of same name written by Sunil Gangapaddhaya. A retired government employee, Raja Roy Chowdhury, known as Kakababu, is the main character of this movie. In this movie, he and his nephew, Santu, are in Andaman Island for solving a mystery.
Sabuj Dwiper Raja
খাদ
Kaushik Ganguly
Ardhendu Banerjee, Lily Chakravarty
Because of a train strike, a group of tourists, mostly unrelated to each other, get stuck in New Mal Junction. These people are honeymooners (Saheb and Mimi), family vacationers (Pallavi Chatterjee, Koushik Banerjee, Tridha Choudhury), an ailing mother and her son (Lily Chakraborty, Kaushik Ganguly), a priest (Ardhendu Banerjee), a heroine and her abnormal brother (Gargi Roy Choudhury, Rajdeep Ghosh), one trekker (Kamaleshwar Mukherjee), a bus conductor (Rudranil), and a retired teacher (Maasud Akthar). One of the tourists, the priest manages to arrange a bus from the church for them to reach North Bengal. The other tourists also join him in the bus trip, but unfortunately the bus meets with a terrible accident. It falls off a cliff into an abyss, but the tourists survive with minor injuries. Injured and traumatized, they realize that they have become completely detached from any form of human contact.
Khaad
