Edna May Oliver
1883 - 1942She was born Edna May Nutter in Malden, Massachusetts. The daughter of Ida May and Charles Edward Nutter, Edna was a descendant of the 6th American president John Quincy Adams. Miss Oliver took an early interest in the stage, and she would quit school at the age of 14 to pursue her ambitions in the theater.
Despite abandoning traditional schooling, Edna continued to study the performing arts, including speech and piano. One of her first jobs was as pianist with an all female orchestra which toured America around the turn of the century. By 1917 she had achieved success on Broadway in the hit play "Oh, Boy". By 1923 she had appeared in her first film. Edna May Oliver seems to have been born to play the classics of American and British literature. Some of her most memorable film roles were in adaptations of works of Charles Dickens. Although some have described her as plain or "horse faced", Edna May Oliver's comedic talents lent a beautiful droll warmth to her characters. She was usually called upon to play less glamorous roles such as a spinsters, but she played them with such soul, wit, and depth that to this day she remains one of the best loved of Hollywood's character actresses. A fine example of her comedic talent can be found in Laugh and Get Rich (1931). Here we find her playing a role almost autobiographical in nature, that of a proud woman with Boston roots who has married "down". As the plot unwinds, she is invited to a society gala despite her modest circumstances. At the gala she becomes tipsy. With a frolicsome air Edna May seems to use the role to gently mock her real self. Her slightly drunk character seizes upon a bit of flattery, and alluding to her old New England family, proudly proclaims to each who will listen, "I am a Cranston. That explains everything!". In real life, Edna May Oliver was a Nutter, and perhaps that explains everything.
Edna May Oliver married stock broker David Pratt in 1928, but the marriage ended in divorce five years later. In 1939 she received an Oscar nomination for her supporting role as Widow McKlennar in the picture Drums Along the Mohawk (1939). That was to be one of her last films. Miss Oliver was struck ill in August of 1942. Although she seemed to recover briefly, she was re-admitted to Los Angeles's Cedars of Lebanon hospital in October Her dear friend actress Virginia Hammond flew out from New York to stay by her bedside. Edna May Oliver died on her 59th birthday, 9th November 1942. Virginia Hammond was with her and said, "She died without ever being aware of the gravity of her condition. She just went peacefully asleep."
Wife in Name Only
George Terwilliger
Mary Thurman, Arthur Housman
Wealthy orphan Philippa L'Estrange loves handsome Norman Arleigh and is confident of marrying him until he discloses that he has only brotherly affection for her. Determined to have revenge, Philippa introduces Arleigh to Madeline Dornham and reveals on their wedding day that Madeline, his bride, is the daughter of the man who killed his mother. In the end it is learned that Madeline is Mrs. Dornham's daughter from a previous marriage, not the daughter of a criminal.
Wife in Name Only
A Tale of Two Cities
Jack Conway
Ronald Colman, Elizabeth Allan
The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.
A Tale of Two Cities
Pride and Prejudice
Robert Z. Leonard
Greer Garson, Laurence Olivier
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to live nearby, the Bennets have high hopes. But pride, prejudice and misunderstandings all combine to complicate their relationships and to make happiness difficult.
Pride and Prejudice
Only Yesterday
John M. Stahl
Margaret Sullavan, John Boles
On the back of the Wall Street Crash of 1929, a young business man is about to commit suicide. With the note to his wife scribbled down and a gun in his hand, he notices a thick envelope addressed to him at the desk. As he begin to read, we're taken back to the days of WW1 and his meeting with a young woman named Mary Lane.
Only Yesterday
Little Women
George Cukor
Katharine Hepburn, Joan Bennett
Little Women is a coming-of-age drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops. The family, headed by their beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor, Mr. Laurence, and his high spirited grandson Laurie.
Little Women
Let's Get Married
Gregory La Cava
Richard Dix, Lois Wilson
College football star Billy Dexter is prone to getting into public fights. His father demands he reform and sends him to mend his ways with a devout old woman who deals in hymnals. She turns out to be devoutly drunk and a saloon brawler, leading to Billy's imprisonment. He tells his fiancée he's doing missionary work on a pacific island. He escapes and persuades her to marry him, all the while dodging the police who pursue him.
Let's Get Married
The Poor Rich
Edward Sedgwick
Edward Everett Horton, Edna May Oliver
Albert Stuyvesant Spottiswood and his cousin Harriet Winthrop Spottiswood arrive separately at their long abandoned and very much run down family manor, each unaware that the other is going to be there, and since both have become penniless, they are forced to move into the dilapidated house. When Albert receives a letter from old acquaintances Lord and Lady Fetherstone advising the Spottiswoods of their impending visit to the manor, the cousins are at wit's end as to how to exercise non-existent skills required to make the old house acceptable for guest reception.
The Poor Rich
Drums Along the Mohawk
John Ford
Claudette Colbert, Henry Fonda
Albany, New York, 1776. After marrying, Gil and Lana travel north to settle on a small farm in the Mohawk River Valley, but soon their growing prosperity and happiness are threatened by the sinister sound of drums that announce dark times of revolution and war.
Drums Along the Mohawk
The Story of Vernon and Irene Castle
H. C. Potter
Fred Astaire, Ginger Rogers
In 1911, minor stage comic, Vernon Castle meets the stage-struck Irene Foote. A few misadventures later, they marry and then abandon comedy to attempt a dancing career together. While they're performing in Paris, an agent sees them rehearse and starts them on their brilliant career as the world's foremost ballroom dancers. However, at the height of their fame, World War I begins.
The Story of Vernon and Irene Castle
The American Venus
Frank Tuttle
Esther Ralston, Lawrence Gray
A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.
The American Venus
The Last Gentleman
Sidney Lanfield
George Arliss, Edna May Oliver
In New England circa 1933, a niece is reported missing and presumed dead and Cabot Barr (George Arliss) summons his relatives to the family estate for a memorial service. Once there, Barr taunts each one, claiming their only interest in him is his money, and sends them away when the report about the niece proves to be false. Only niece Marjorie, who has ridiculed one of his pet eccentricities, seems to be the object of any sentimental affection.
The Last Gentleman
