Jean-Michel Ribes
1946 (77 лет)Between 1982 and 1984 Ribes had directed Merci Bernard and since 1988 works on Palace. In 2008, Ribes had directed Batailles which he co-wrote with Roland Topor and next year became a director of the Un garçon impossible, a play by Petter S. Rosenlund and Roland Dubillard's Les Diablogues. In 2010, in Théâtre du Rond-Point he directed Les Nouvelles Brèves de Comptoir in which Jean-Marie Gourio had starred. In 2011, he wrote and directed René l’énervé - Opéra bouffe et tumultueux, on the music by Reinhardt Wagner. A year later, he returned to Théâtre du Rond-Point at which he directed play Théâtre sans animaux and Sébastien Thiéry's L’Origine du Monde in 2013.
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Chacun pour toi
Jean-Michel Ribes
Albert Dupontel, Jean Yanne
Georges Flavier, once renowned Parisian hairdresser, lives alone since the death of his son and the departure of his wife. One night, he saves a stranger from drowning in the Canal Saint-Martin.
Every Man for Yourself
Wild Grass
Alain Resnais
André Dussollier, Sabine Azéma
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Wild Grass
The Favour, the Watch and the Very Big Fish
Ben Lewin
Bob Hoskins, Jeff Goldblum
A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a porno movie with Natasha Richardson. Hoskins finds his model for Jesus in Jeff Goldblum and a romantic triangle begins in which Goldblum finds adoring crowds believing him to be Jesus and then begins to believe it himself.
The Favour, the Watch and the Very Big Fish
La Banquière
Francis Girod
Romy Schneider, Marie-France Pisier
The scene is the restless Paris of the interwar years where an attractive and ambitious woman successfully makes her way in a world previously reserved for men: that of high finance. Originating from a humble background, she quickly becomes popular with small savers by offering them outstanding interest rates. Extremely popular, she makes no secret of her taste for the good things in life and her homosexual affairs. They will cost her dearly...
The Lady Banker
Le Mors aux dents
Laurent Heynemann
Jacques Dutronc, Michel Piccoli
Three men with a penchant for gambling on the horses soon find themselves in trouble because of their addiction. Pierre (Michel Piccoli) is the math whiz who uses his talent for picking the winners. Charles (Michel Galabru) is the wealthy scrap-iron magnate who has embarrassing evidence on many prominent political figures. Loic (Jacques Dutronc) is the aspiring politico who seeks to further his career by any means possible. Charles approaches Loic and asks his political party for a loan in hopes of fixing an upcoming race....
The Bit Between the Teeth
Lacenaire
Francis Girod
Daniel Auteuil, Jean Poiret
On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.
The Elegant Criminal
Laisse aller... c'est une valse
Georges Lautner
Jean Yanne, Mireille Darc
The day he is released from jail, Serge is expected by four killers sent by Count Charles Varèse assigned to make him confess where he has hidden the jewels stolen during his last stickup. On the other hand the police inspector who arrested him offers him protection on condition he gives him the same piece of information. Serge refuses and is about to be tortured by Varèse's henchmen when Michel, a friendly hood, comes to his rescue. His friendship will result in... a heap of corpses! —Guy Bellinger
Troubleshooters
La jeune fille et les loups
Gilles Legrand
Laetitia Casta, Jean-Paul Rouve
Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.
The Maiden and the Wolves
Ma Femme s'appelle reviens
Patrice Leconte
Anémone, Michel Blanc
Abandoned by his wife, Bernard struggles to overcome his grief and settles in a residence for singles. Employed by "SOS Doctors", he provides night guards to occupy his insomnia. That's how he is brought one night to help a neighbor, Nadine Foulon, victim of discomfort in the elevator. It turns out that Nadine is also going through a difficult time, since her companion, Terry, a singer-guitarist, has left her. A professional photographer, she can not forget it and has since oscillated between depression and bulimia. Gathered by their pains of heart, these two beings will, with the wire of the confidences, become more intimate ...
Ma femme s'appelle reviens
Musée haut, musée bas
Jean-Michel Ribes
Michel Blanc, Victoria Abril
Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.
A Day at the Museum
Rien ne va plus
Jean-Michel Ribes
Jacques Villeret, Patrick Chesnais
Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.
Out of Whack
La Galette du roi
Jean-Michel Ribes
Roger Hanin, Jean Rochefort
In this conventional, broadly comic farce of greed and royal matrimony, nearly bankrupt businessman Victor Harris is marrying Maria-Helena, a princess who comes with a dowry that is made up of one half of her island kingdom. Her father, the cowardly King Arnold III is counting on the money this marriage will bring him. The country is now almost bankrupt because of the king's gambling debts. As Harris and the king look forward to their illusory profits from the royal merger, other characters add some liveliness to the otherwise predictable story.
La Galette du roi
