Caroline Koebel

Spectres of the Spectrum

Craig Baldwin

Sean Kilkoyne, Caroline Koebel

BooBoo, a young telepath, and her father, Yogi, are revolutionaries pitted against the "New Electromagnetic Order". Their story, set in the year 2007 in a blighted Nevada outpost, is interwoven with a history of the development of electromagnetic technologies, from X-rays to atom bombs, from television to the Internet.

Puss! The Booted Cat

Caroline Koebel

Puss! The Booted Cat is an erotic short that laps up various incarnations of the classic fairytale Puss-In-Boots. The tale, popularized in 17th c. France by author Charles Perrault, is here transformed into a contemporary adventure of unrequited love, lands-titles-and-goods-to-be-conquered, identities-to-be-claimed, and feminine feline power. The heroine, who is both the woman Mademoiselle Puss and Puss the cat, battles loss and misfortune with irrepressible rebellious energies. At last she is able to relax in her throne of the Bubastis Queendom, enjoying music, dance, and a most unusual mushroom—it had once been the ogre whose vengeance is the catalyst of this particular episode in one of her nine lives. The film's black-and-white images, intertitles, nonsynchronous sound, low tech "tricks," and theatricalized acting style borrow from early cinema even as its modern day references, fast paced editing, and feminist sensibility place it paws down in the present.

Inflorescentia

Caroline Koebel

Attempting to fissure prevailing relations between spectator and screen, between sight and touch, desiring subject and object of desire, Inflorescentia uses poetics, humor and erotics as means to voice "the body" and to take stock of cinema as one of the multiple transgressive sites for female pleasure. Its influences are productions by gay men, including Sergei Paradjanov, Derek Jarman and Jean Genet.

I Saw Bones

Naomi Uman, Kate Haug

A collection of experimental shorts by female directors curated by Rita Gonzalez and features the shorts Bathing the Baby by Semefo, Taxidermy by Eva Aridijis, I, Bear by Helen Mirra Self Dial by Caroline Koebel, Removed by Naomi Uman, Deep Creep by Kate Haug, and Hawi by Ximena Cuevas.