César Charlone
1958 (66 лет)César Charlone (born 1958) is an Uruguayan-born Brazilian film director, screenwriter, actor and cinematographer. He was born in Montevideo, but settled in Brazil, his current homeland. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God. On 2007, he directed his first feature film, The Pope's Toilet, which was selected by Uruguay as its official submission for the 80th Academy Award for Best Foreign Language Film. A year earlier, he was invited to join the Academy of Motion Picture Arts and Sciences.
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El baño del Papa
César Charlone
César Troncoso, Virginia Méndez
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
The Pope's Toilet
Blackout
Daniel Rezende
Wagner Moura, Augusto Madeira
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
Blackout
La Redota: una historia de Artigas
César Charlone
Yamandú Cruz, Jorge Esmoris
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
The Story of Artigas
Rio, I Love You
Nadine Labaki, Stephan Elliott
Венсан Кассель, Fernanda Montenegro
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Rio, I Love You
