
Saira Banu
1944 (81 год)पूरब और पश्चिम
Manoj Kumar
Manoj Kumar, Pran
Bharat is a patriotic Indian who's father was an Independence fighter. He goes to London and is disappointed to see that the NRI's staying there criticized everything Indian and were wasting their life away. Prithi (Siara Banu) is one such NRI who falls in love with Bharat but refuses to go back to India with him.
Purab Aur Pachhim
Aman
Mohan Kumar
Rajendra Kumar, Saira Banu
Dr. Gautamdas (Rajinder Kumar) attains his qualifications in London, England, and with the blessings of Lord Bertrand Russell (himself), returns to his home country and his dad (Balraj Sahni). Much to the disappointment of his dad, Dr. Gautamdas decides to re-locate to Japan, which has been devastated by the explosion of atom bombs on two of it's cities - Hiroshima and Nagasaki. There he meets with other doctors, and is given a tour of the patients and their families, and other survivors (Om Prakash, Chand Usmani, Baby Kavita). {Graphic scenes of the atrocities inflicted on innocent people} On a chance meeting with the beautiful Meloda (Saira Banu) he knows that they are destined to be one, and so does she. Meloda's dad is also a doctor (Chetan Anand). Meloda had studied in India and speaks Hindi fluently. Both fall in love amongst the splendour of Japan.
Aman
Jhuk Gaya Aasman
Lekh Tandon
Rajendra Kumar, Saira Banu
Sanjay and Priya are in love and are planning to marry. When Priya learns that her father has been arrested, they decide to postpone their wedding. However, destiny has other plans as Sanjay dies in a car crash. In heaven, he learns that his death was a mistake, and he is sent back to Earth in the body of his lookalike, the wealthy but morally corrupt Tarun Kumar Saxena, the man who ruined Priya's family.
Jhuk Gaya Aasman
Pyar Mohabbat
Shankar Mukherjee
Dev Anand, Saira Banu
After disappearing without a trace 18 years ago, Prince Naresh (Dev Anand) returns to his village as commoner Dilip Singh, only to discover that tragedy has befallen his family and that his adversary (Premnath) is close to ascending the throne. In a triple cross, the nobleman hatches a plan to take his rightful place as the king. Saira Banu plays Naresh's love interest, and Durga Khote portrays his mother in this entertaining yarn.
Pyar Mohabbat
Pocket Maar
Dharmendra, Saira Banu
After the passing away of son and daughter-in-law, prominent businessman, Rai, undertakes to look after his grand-daughter, Asha, with a lot of love and affection. When she grows old enough to be a ravishing beauty, he is anxious to get her married to the right man before he passes away. He finds out that Asha has a boyfriend by the name of Madan Malhotra, and although he has never met him, he disapproves of him, but finally gives in to Asha's wishes. When Madan returns from abroad, Rai is pleasantly surprised at Asha's choice and welcomes Madan with open arms. Shortly thereafter on his birthday, Rai formally announces their engagement. When Rai does not know is that Madan is not who he claims to be but is, in fact, a thief and pick-pocket by the name of Shankar, who has been hired by Asha to impersonate the real Madan. Watch what happens when the real Madan returns and attempts to assert his love for Asha.
Pocket Maar
Hera Pheri
Prakash Mehra
Amitabh Bachchan, Vinod Khanna
Two con men, Vijay and Ajay, manage to hoodwink a number of wealthy people as well as Police Commissioner Khanna. Their lives undergo many changes, after a caper at a casino, where Vijay is recognized by a gangster named P.K., who decides to separate the two friends by claiming that Ajay is his long-lost son; insinuating that Vijay has not been completely forthright with Ajay; and implicating him in the murder of a male named Mac. Written by rAjOo (gunwanti@hotmail.com)
Hera Pheri
Diwana
Mahesh Kaul
Raj Kapoor, Saira Banu
Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.
Diwana